The air was clearing now. Gradually the tender green corn slumped down in the softened loam and a disconsolate toad hopped mournfully across the white gravel walk. This was too much even for a toad. With a long, soul-sickening lunge he disappeared in the shrubbery, as the thunder rumbled its retreat behind the western horizon. Out of its dying reverberation, music came floating up through the moist air ... marvellous strains. Judith crossed the attic and threw open the window. Yes, her surmise was right. Eileen and Mrs. Nims were playing Debussy’s matchless tone picture, “Garden in the Rain,” the ’cello blending exquisitely with the piano. Would David hear? Would he recognize his daughter’s touch? But Eileen had never played like this. The tones came, moist and meaningful, lulling the conscious mind to dreams, steeping the senses in the drowsy calm that follows the delirium of summer heat.
Judith Ascott felt her soul at one with the garden ... arid clay, whose thirst had been quenched. She had played Debussy’s imagist arrangement, and had rejected it because it failed to symbolize a prosaic natural phenomenon. Now she knew that it was not the rain, but the garden, which the composer had in mind. She had approached the theme from overhead, just as a moment ago she had looked down on her own garden. With a thrill she perceived Debussy’s thought in all its naked, elemental beauty—the primitive consciousness of maternal Earth, glad and grateful for the benison of summer rain.
Had something new come into Eileen’s playing? Was it Adelaide Marksley’s ’cello that made the elusive thought tangible? Was it, rather, something that had come into her own soul? She had been so long athirst. Must one faint beneath the heat, brave the wind and the lightning’s terror, in order to drink in at last the bountiful rain? Was there any price one would not pay for such peace as had found habitation within her soul?
XVII A Place Called Bromfield
I
In the morning the mistress of Vine Cottage went out to inspect the havoc the storm had wrought. Dutton was down on his knees, righting the vivid green corn stalks and banking them in with the soft soil. Theodora stood on the gravel walk, watching him with elfin curiosity—his shins protected by huge pads of faded brussels carpet, his fingers so packed with mud that they resembled a sculptor’s model in the rough. When she caught sight of Mrs. Ascott she crossed the intervening lawn on dainty toes, like a kitten afraid of the wet.
“We didn’t have any trouble about Eileen,” she began in a whisper pregnant with meaning. “I fixed it.”
“You were a good little angel. Have you a kiss for me this morning?”