Painted silhouette, with gold pencilling, at Knole.
Silhouette, painted on card. In the possession of the Author.
The Countess of Blessington, 1829. By Foster, at Knole.
Thomason, I. (1793), Dublin. Itinerated in Cheshire, Lancashire, and Staffordshire. Painted on glass and plaster, black faces, white relief. His advertisement says:—“Silhouettes in miniature profile taken by Thomason on a peculiar plan and reduced to any size. Silhouettes set in rings, lockets, and pins, and he keeps original shades; can supply those he has once taken with any number of copies, reduces old ones, and dresses them in present taste. Address: 25, Great George Street, Dublin.” Also advertisement in Dublin Chronicle, May, 1792. Address: No. 30, Capel Street, Dublin.
Thonard. Cut silhouette groups and family pieces between 1790 and 1820. Sometimes worked in dark olive green with touches of gold.
Townshend, Barbara Anne. Cut groups of figures in black paper. A collection of these was published in paper covers by Ed. Orms, Bond Street, London, in 1808. Price, 5s. the book, or 1s. each print.
Turner. Published a silhouette of “Queen Charlotte of Great Britain,” 1782, opposite the Church, Snow Hill. In the National Portrait Gallery.
Tussaud, J. P. (1823), son of the great Madame Tussaud. “Respectfuly informs the nobility, gentry, and the public in general that he has a machine by which he takes profile likenesses. Price 2s. to 7s., according to style. Biographical and descriptive sketches of the whole-length composition figures and other works of art forming the unrivalled collection of Madame Tussaud, etc.”
Unger, Berlin. Reduplicated silhouettes by means of printing press, mentioned in “Bon Magic,” one of the early books of instruction in silhouette-making. (See Bibliography.)