MARIE DE MEDICIS WEARING THE MEDICIS COLLAR TO DISPLAY VENETIAN LACES.

The chief varieties of the Venetian laces are known as Rose Point, Point de Neige, Gros Point de Venise (often erroneously attributed to Spain and called Spanish Point), and Point Plat de Venise. A much rarer variety is "Venetian point à réseau," which is the flat point worked round with a Needlepoint ground or mesh, the network following no proper order but being simply worked round the pattern and following its curves.

The chief characteristics of Venetian lace are the buttonhole Cordonnet, fine or thick according to the style of lace; the wonderful diversities of the fillings worked in buttonhole stitches; the elaborate decoration of the Cordonnet; and the starry effects of the brides or ties. In the flat Venetian Point there is no Cordonnet.

These Italian laces were admired and purchased by all the European countries, and the cities of Venice and Florence made enormous fortunes. The fashions of the day led to their extensive use, Marie de Medicis introducing the Medici collar trimmed with Venetian points specially to display them. At a little later period the collar became more falling and the heavier "Gros point" was used. Men and women alike wore lace-trimmed garments to an excessive degree, the collar and cuff trimmings being composed of wide Venetian lace and the silken scarf worn across the body being edged with narrower and finer lace.

The principal designs for the Venetian lace of all periods were scrolls of flowers conventionalised in the Renaissance taste of the time. The generic name for all laces of the finest period is "Punto tagliato a foliami." The laces of this time are now almost priceless. They are genuine works of art, worked slowly and patiently under the clear light of the Italian skies by women who were naturally artistic and beauty loving, and who, while working the shining needle and fairy thread in and out of the intricacies of the design sang the pretty "Lace Songs" which may be heard at the Burano Lace School even now, although 200 or 300 years old. Many specimens of this exquisite lace are to be found in the South Kensington Museum, where the flounce given by Mrs. Bolckow at once explains the whole scheme of Venetian lace-making.

Such lace is not to be purchased now except at great price. The piece illustrated, see page [55], was only 1-1/8 yards in length, and was sold for £145 by one of our leading lacemen. Barely 5 yards of Venetian lace, only 2 inches wide and in rags, was sold at Debenham & Storr's in August, 1907, for £60; and even the smallest collar or a pair of cuffs runs well into £10.

Even in the days of its manufacture this lace commanded high prices. In the inventory of Queen Elizabeth's gowns we find such entries as—

"To 1 yard Double Italian Cut-worke, ¼ yd. wide. 55/4.
" 3 yds. broad needlework lace of Italy, with purls. 50/- per yd."

James II. paid £29 for a cravat.