The emphasis was terribly significant.
So they parted, with much admiration of the grandson, and Mr Furnival trotted back to his penance; for Madam kept him very short of money, and required from him an account of every shilling. The storm which he anticipated broke even a little more severely than he expected; but he bore it quietly, and went to bed when it was over.
Since that night nothing whatever had been heard of Mrs Latrobe until four months before the story opens. When Mr Furnival was on his death-bed, he braved his wife’s anger by naming the disowned daughter. His last words were, “Perpetua, seek out Anne!”
Madam sat listening to him with lips firmly set, and without words. It was not till he was past speech that she gave him any answer.
“Jack,” she said at last, to the pleading eyes which were more eloquent than the hushed voice had been, “look you here. I will not seek the girl out. She has made her bed, and let her lie on it! But I will do this for you—and I should never have done that without your asking and praying me now. If she comes or sends to me, I will not refuse her some help. I shall please myself what sort. But I won’t turn her quite away, for your sake.”
The pleading eyes turned to grateful ones. An hour later, and Madam was a widow.
Fourteen years passed, during which Rhoda grew up into a maiden of nineteen years, always in the custody of her grandmother. Her father had fallen in one of the Duke of Marlborough’s battles, and before his death had been compelled to sell Peveril Manor to liquidate his gambling debts. He left nothing for Rhoda beyond his exquisite wardrobe and jewellery, a service of gold plate, and a number of unpaid bills, which Madam flatly refused to take upon herself, and defied the unhappy tradesmen to impose upon Rhoda. She did, however, keep the plate and jewels; and by way of a sop to Cerberus, allowed the “beggarly craftsmen,” whom she so heartily despised, to sell and divide the proceeds of the wardrobe.
When the fourteen years were at an end, on an afternoon in September, a letter was brought to the Abbey for Madam. Its bearer was a respectable, looking middle-aged woman. Madam ordered her to have some refreshment, while she read the letter. Rhoda noticed that her hand shook as she held it, and wondered what it could be about. Letters were unusual and important documents in those days. But it was the signature that had startled Madam—“Anne Latrobe.”
Mrs Latrobe wrote in a strain of suffering, penitence, and entreaty. She was in sore trouble. Her husband was dead; of her five children only one was living. She herself was capable of taking a situation as lady’s maid—a higher position then than now—and she knew of one lady who was willing to engage her, if she could provide otherwise for Phoebe. Phoebe was the second of her children, and was now seventeen. She expressed her sorrow for the undutiful behaviour of which she had been guilty towards both parents; and she besought in all ignorance the father who had been dead for fourteen years, to plead with Madam, to help her, in any way she pleased, to put Phoebe into some respectable place where she could earn her own living. Mrs Latrobe described her as a “quiet, meek, good girl,—far better than ever I was,”—and said that she would be satisfied with any arrangement which would effect the end proposed.
For some minutes Madam sat gazing out of the window, yet seeing nothing, with the letter lying open before her. Her promise to her dead husband bound her to answer favourably. What should she do with Phoebe? After some time of absolute silence, she startled Rhoda with the question,—