Finally, she gave up trying to write for the present. There was time enough; the foreign mail, as she had ascertained, did not close until six o'clock in the evening. She thought a drive through the old city would work off her excitement and tranquilize her nerves. She rang and ordered a fly, and drove out.
First she went to Holyrood, and soon lost all consciousness of her own present and individual troubles in dreaming of all those princes, heroes, and beauties of history who had lived and sinned or suffered within those old palace walls.
She went into Queen Mary's rooms, and fell into a reverie over that fatal bed-chamber, which remains to this day in the same condition in which it was left by the hapless queen about three hundred years ago. She saw the steep, dark, narrow, secret staircase, with its opening concealed behind the tapestry, up which the assassins of Rizzio had crept to their murderous work. She saw the little turret closet in which the poor queen was at supper with her ladies when the minstrel was surprised and massacred in her presence.
She went into the great picture gallery, where hung the portraits of the Scottish kings—each mother's royal son painted with a large curled proboscis—"a nose like a door-knocker," as someone described it. With one exception—that of James IV., the hapless hero of Flodden field. It was a full-length portrait, life-sized, and full of fire. Claudia stood and gazed upon it with delight. She was charmed by its beauty and by the lines that it brought distinctly to her recollection. Whether this was really a faithful portrait of King James or not, it certainly was an accurate likeness of the hero described by the poet:
"The monarch's form was middle size;
For feat of strength or exercise
Shaped in proportion fair;
And hazel was his eagle eye,
And auburn of the darkest dye
His short curled beard and hair.
Light was his footstep in the dance
And firm his stirrup in the lists;
And oh! he had that merry glance
That seldom lady's heart resists."
Yes, there he stood before her, pictured to the very life; all luminous with youth and love, chivalry and royalty; bending graciously from the canvas, smiling upon the spectator, and seeming about to step forward and take her hand.
Claudia turned away from this picture, feeling at the same moment both pleased and saddened. She had spent three hours dreaming amongst the ancient halls and bowers of Holyrood, and now she felt that it was time for her to return to the hotel, especially as the palace was beginning to be filled with the usual daily inflowing of sight-seers, and she felt somewhat fatigued and worried by the crowd.
So she went out and re-entered her cab, and was driven back to the hotel. Here an unexpected misfortune awaited her. As she left the cab she put her hand in her pocket to take out her purse and pay the cabman.
It was gone!
She turned sick with apprehension, for the loss of this purse, which contained all the money which she had brought with her, was, under the circumstances, a serious calamity.