The medium which has the power to do that is the Modern Drama, because it mirrors every phase of life and embraces every strata of society,—the Modern Drama, showing each and all caught in the throes of the tremendous changes going on, and forced either to become part of the process or be left behind.

Ibsen, Strindberg, Hauptmann, Tolstoy, Shaw, Galsworthy and the other dramatists contained in this volume represent the social iconoclasts of our time. They know that society has gone beyond the stage of patching up, and that man must throw off the dead weight of the past, with all its ghosts and spooks, if he is to go foot free to meet the future.

This is the social significance which differentiates modern dramatic art from art for art's sake. It is the dynamite which undermines superstition, shakes the social pillars, and prepares men and women for the reconstruction.


TABLE OF CONTENTS
PAGE
[Foreword]3
[The Scandinavian Drama]
[Henrik Ibsen]11
[The Pillars of Society]13
[A Doll's House]18
[Ghosts]25
[An Enemy of Society]34
[August Strindberg]43
[The Father]45
[Countess Julie]51
[Comrades]61
[The German Drama]
[Hermann Sudermann]69
[Magda]71
[The Fires of St. John]80
[Gerhart Hauptmann]87
[Lonely Lives]87
[The Weavers]98
[The Sunken Bell]108
[Frank Wedekind]118
[The Awakening of Spring]118
[The French Drama]
[Maurice Maeterlinck]129
[Monna Vanna]129
[Edmond Rostand]138
[Chantecler]138
[Brieux]147
[Damaged Goods]147
[Maternity]161
[The English Drama]
[George Bernard Shaw]175
[Mrs. Warren's Profession]176
[Major Barbara]186
[John Galsworthy]196
[Strife]197
[Justice]208
[The Pigeon]215
[Stanley Houghton]226
[Hindle Wakes]226
[Githa Sowerby]235
[Rutherford and Son]235
[The Irish Drama]
[William Butler Yeats]250
[Where There Is Nothing]252
[Lenox Robinson]261
[Harvest]261
[T. G. Murray]267
[Maurice Harte]267
[The Russian Drama]
[Leo Tolstoy]275
[The Power of Darkness]276
[Anton Tchekhof]283
[The Seagull]284
[The Cherry Orchard]290
[Maxim Gorki]294
[A Night's Lodging]294
[Leonid Andreyev]302
[King-Hunger]302


THE SOCIAL SIGNIFICANCE OF THE MODERN DRAMA