[LEO TOLSTOY]
When Leo Tolstoy died, the representatives of the Church proclaimed him as their own. "He was with us," they said. It reminds one of the Russian fable about the fly and the ox. The fly was lazily resting on the horn of the ox while he plowed the field, but when the ox returned home exhausted with toil, the fly bragged, "We have been plowing." The spokesmen of the Church are, in relation to Tolstoy, in the same position. It is true that Tolstoy based his conception of human relationships on a new interpretation of the Gospels. But he was as far removed from present-day Christianity as Jesus was alien to the institutional religion of his time.
Tolstoy was the last true Christian, and as such he undermined the stronghold of the Church with all its pernicious power of darkness, with all its injustice and cruelty.
For this he was persecuted by the Holy Synod and excommunicated from the Church; for this he was feared by the Tsar and his henchmen; for this his works have been condemned and prohibited.
The only reason Tolstoy himself escaped the fate of other great Russians was that he was mightier than the Church, mightier than the ducal clique, mightier even than the Tsar. He was the powerful conscience of Russia exposing her crimes and evils before the civilized world.
How deeply Tolstoy felt the grave problems of his time, how closely related he was to the people, he demonstrated in various works, but in none so strikingly as in "The Power of Darkness."
[THE POWER OF DARKNESS]
"The Power of Darkness" is the tragedy of sordid misery and dense ignorance. It deals with a group of peasants steeped in poverty and utter darkness. This appalling condition, especially in relation to the women folk, is expressed by one of the characters in the play: