She loved to dream of herself as the lady of some fine house, surrounded by all that wealth and rank could give.

The ideal knight who was to endow her with this splendour was partly ideal, but he took the form of Mr Sidney. She dare scarcely acknowledge this to herself. He was set on high, so far above her, it is true; yet he was never too high above her to forget her presence. His smile was a guerdon which she craved to win; the glance of his grave, beautiful eyes thrilled through her; the sound of his voice was music, stirring within her an answering chord, the echo of which was ever sweet and sweeter every time it was awakened.

It was, she felt sure, by his kind offices she had been placed in Lady Pembroke's household. And did he not seem sad—sorry for her—when Mistress Crawley pursued her in the gallery? Did he not call her 'My poor child!' looking down at her with that light of sympathy in his eyes which seemed at the moment to compensate for all else?

Perhaps unconsciously to himself, Philip Sydney touched the hearts of many a fair dame and youthful beauty about the Court of Queen Elizabeth. Indeed, we know it to have been so, and that the charm he exercised was as subtle as it was irresistible. This charm increased year by year, and perhaps never was greater than at the time of which we are writing, when the struggle within—a struggle in which he was to come out the victor—gave a pathetic earnestness to his manner, and quickened his sympathies for every kind and degree of sorrow or disappointment.

It was as poor little Lucy said: 'He was not too high to stoop to care for her, or for others.'

In the early morning of the next day Lucy stood disconsolately in the courtyard of Lord Pembroke's city house watching the packing of the baggage, and awaiting the orders of the gentleman who was Master Thomas Sydney's tutor, and was in command for the journey.

All was in the bustle of departure, and Lucy felt that no one cared on which pillion she was to ride, nor where her own modest packages were to be stowed.

She wore a scarlet riding-robe, with a hood which was lined with white taffeta. It fell back, and made a background to her shining hair, and defined the outline of her small, well-shaped head as she leaned against the doorway in listless dejection, which was a contrast indeed to her bright, sparkling mood as she bent over the edge of the booth at the tournament.

A sharp altercation was going on between two of the servants, each wishing to have the honour of taking Lady Mary Sidney's youngest son on his pillion.

Presently the boy himself appeared in his black velvet riding suit, booted and spurred, his red-gold locks—the true Sidney badge—falling over his shoulders from under the stiff, pointed cap which shaded his forehead.