Cut the petals in thick white wax; attach a fine white wire half-way up the back of each. Colour them upon both sides with light blue, or more properly speaking with blue lavender. It is a peculiar shade of colour produced by mixing the light blue powder with white and a minute portion of crimson. Curl the petals with the head of a large curling pin, by passing it firmly once down each centre. The four outside petals are green at the back, and shaded rather darker up the centre with the same colour. The centre is formed similar to the white lily, but not so large. The stamina are cut also in double yellow wax, and arranged regularly round in rows of sixteen; three rows of these are sufficient. The petals are placed on four in a row throughout the flower; the stem is moderately thick and green.
DAHLIA.
(Dahlia Purpurea.) Instability.
Cut the required number of petals from pink wax—colour them upon both sides with crimson. When quite dry, wash them over lightly with bright purple (using for the purpose a large brush, very moist.) When a second colour requires to be laid on, I use a small portion of cake colour, (in the present instance cake crimson, lake, with middle blue in powder.) To curl the petals press the pin once down the centre, upon the shining side; turn the petal, and press against the same at the point, forming a melon-shaped section. Fold the edges of the petal to meet at the lower end.
Make a foundation of two strips of double wax, taking care to double in the wire. Indent it strongly with the pin towards the point, as it must be pressed into a conical form: it must be one inch deep and as much in circumference. Cut three strips of double wax, vandyke them with the scissors, and indent each point with the pin, bend the whole forward, and paint them in the same manner and colour as the petals. Pass these strips round the foundation first, keeping them exactly the same height. Place three rows of petals on, seven in number, then increase them to nine in a row, and so continue until the flower is complete. Take care to place every petal between and not behind its predecessors, and let each row fall back, so that at the conclusion it has a globular appearance in front, and flat at the back of the flower. Cut the calyx in double wax; it consists of ten points, five are light green, attached to the back of the flower, and five dark sepals which are pendant round the stem.
THE SALVIA PATENS.
Rich and Rare.
This flower is of so rich and lovely a hue, that for its colour alone it deserves imitation. There are but few decidedly blue flowers, and I do not myself know any one that approaches this for brilliancy; it is however useful in consequence of its form being light and spray-like. The petals require to be cut in double blue wax; the shape must be produced previously to the colour being laid on. Petals cut from pattern No. 1, are much rolled with the pin and neatly united up the back. Take a piece of middle size wire, with a small piece of wax secured at the end, and pass it through the opening of the tube just formed. The under or banner petal is formed by pressing it in the palm of the hand; turn up the edges of the broad end of the petal, and turn down the edges of the narrow part; at the same time I must mention that a small wire is placed between this petal, by which it is affixed to its position. The buds are formed in the same manner as the flower, with the exception of the banner petal. The calyx consists of two points or sepals, attached one under and the other opposite the tube. The whole is painted with deep rich blue, produced by mixing cake smalt with the middle blue in powder. They are mounted in a spray by placing buds and flowers down the stem, two facing each other, and arranged alternate ways. A green leaf is placed under each bud and blossom.