Passing through the doorway just described, we come into the second corridor, and continuing through that, we come to what was once a large court; but, as we stated, it was subsequently built over so as to leave only a few courts. The largest one, eighty by seventy feet, is immediately before us, with a range of steps leading down into it. On each side of the stairway is sculptured, on stucco, a row of grim and gigantic figures. The engraving opposite represents the same. “They are adorned with rich headdresses and necklaces, but their attitude is that of pain and trouble. The design and anatomical proportions of the figures are faulty, but there is a force of expression about them which shows the skill and conceptive force of the artist.” From this small court stairways lead to the other buildings situated around it.
Stucco ornaments were plentiful. In one room, rather more richly ornamented than the others, was found a stone tablet, which is the only important piece of stone sculpture about the palace. We are told it is of hard stone, four feet long by three feet wide, and the sculpture is in bas-relief. It is set in the wall, and around it are the remains of a rich stucco border. Its significance is unknown. We must notice the small medallion, containing a face, suspended by a necklace of pearls from the neck of the principal figure. Mr. Stephens conjectures that it may represent the sun. Mr. Waldeck gives a drawing of this same subject; but instead of a face, he represents a cross.13
In the general view we see a tower rising up from the mass of ruins. Mr. Stephens speaks of this tower as follows. “This tower is conspicuous by its height and proportions, but an examination in detail is found unsatisfactory and uninteresting. The base is thirty feet square, and it has three stories. Entering over a heap of rubbish at the base, we found within another tower distinct from the outer one, and a stone staircase, so narrow that a large man could not ascend it. The staircase terminated against a dead stone ceiling, closing all further passages, the last step being only six or eight inches from it. For what purpose a staircase was carried up to such a bootless termination we could not conjecture. The whole tower was a substantial stone structure, and in its arrangements and purposes about as incomprehensible as the sculptured tablets.”
At the best we can do, it is hard to give such a description of this ruin that it can be readily understood, so we will present a restoration of it by a German artist,14 taken, however, from Mr. Bancroft’s work.15 This is very useful to us, since it conveys an idea of how the palace looked when it was complete. This view also includes a second structure, which we will examine soon. We notice the numerous doorways leading into the first corridor, the ornamental pier-like portions of the wall separating the doors, and the several buildings on the court; rising over all, the tower, which would have been better if the spire had been omitted.
