We are sure the readers will not fail to notice the many points which make this such an exceptionally fine piece of work. In the original drawing the grace of the arms and wrists is truly matchless, and the chest muscles are displayed in the most perfect manner. The embroidered girdle and folded drapery of the figure, as well as the drapery around the leopard’s neck, are arranged with taste. The head-dress is not unlike a Roman helmet in front, with the addition of numerous plumes. The sandals of the feet are secured by a cord and rosette, while the ornaments on the animal’s ankles seem secured by leather straps.17 Mr. Waldeck, however, who drew this sketch, is supposed to have drawn at times better than his model.18 This is generally called the “Temple of the Beau-relief.” Mr. Holden, in his able article already referred to, comes to the conclusion that this figure represents the god Quetzalcohuatl, the nature god of the Mayas.
Eastward from the palace, and across the creek, are seen on the plan the location of two other structures. The one marked is a somewhat famous structure, which, for reasons that will soon appear, is called the “Temple of the Cross.” The pyramid in this case is one hundred and thirty-four feet on the slope. It, however, stands on a terrace about sixty feet on the slope. The forest is so dense that, though other structures are but a short distance from it, yet they can not be seen. The last two engravings represent the building and the ground plan. This is not a fanciful sketch, but is a restoration, “from such remains and indications that it is impossible to make any thing else out of it.”
“The building is fifty feet front, thirty-one feet deep, and has three door-ways. The whole front was covered with stucco ornaments. The two outer piers contain hieroglyphics.” We notice a new feature about the roof. It is similar to the roof of the temple of the “Three Tablets,” in having two different slopes—the lower one covered with stucco ornaments, but the range of pillars along the roof is here replaced by a peculiar two-storied arrangement nearly sixteen feet high. Mr. Stephens says: “The long sides of this narrow structure are of open stucco-work, formed into curious and indescribable devices, human figures with legs and arms spreading and apertures between, and the whole was once loaded with rich and elegant ornaments in stucco relief. Its appearance at a distance must have been that of a high, fanciful lattice. It was perfectly unique—different from the works of any other people with which we are familiar, and its uses and purposes entirely incomprehensible.”
It was evidently added to the temple solely for the sake of appearance. One writer19 believes the roof structures were erected by some people that succeeded the original builders of the temple. The plan of the temple gives us a clear idea of the arrangement of the inner rooms. Our principal interest centers in the altar, which we notice placed in the center of the back room. We give an illustration of a similar altar-form in the temple, at number 5 of the plan. In form it is that of an inclosed chamber, having a roof of its own. The altar in the Temple of the Cross was very similar to this. Mr. Stephens’s description is as follows: “The top of the doorway was gorgeous with stuccoed ornaments, and on the piers at each side were stone tablets in bas-relief. Within, the chamber is thirteen feet wide and seven feet deep.”
