Among the most commonly reappearing ornaments at Uxmal, and at other places, is one that has received the name of the “Elephant’s Trunk,” and has given rise to no little discussion. One occurs immediately above the figure. Part of this ornament is represented in this plate. The central part of this figure, which appears as a plain band, is in reality a curved projecting stone, which, when looked at sideways, has the appearance given in this cut. Though requiring a little imagination, the majority of travelers see in this some monster’s face. The eyes and teeth are seen in the first engraving. This projecting stone is the nose.
We stand in amazement before this sculptured façade. We must reflect that its builders were not possessed of metallic tools. It extends entirely around the building, though the end and rear walls are not as elaborately decorated as the front. A little calculation shows that it contains over ten thousand square feet of carved stone. The roof of the building was flat. It had been covered with cement. But vegetation had somehow acquired a foothold, and the whole is now overgrown with grass and bushes. Such is a brief description of this “casa.” Hastening to ruins, it appeals powerfully to the imagination. It is a memorial of vanished times. We wonder what of the strange people that pressed up these stairs and entered these rooms? For many years it has been abandoned to the elements. Year by year portions of the ornamented façade fall. Though the walls are massive and the roof is strong, it is but a question of time when a low mound of ruins will alone mark its site.
Like the palace at Palenque, this structure has given rise to conflicting theories as to its use. While many of the writers on this subject claim that it was the residence of royalty, there are, on the other hand, those who think it is simply a communal house of village Indians, or the official house of the tribe. In whatever light we shall ultimately view it, it is surely an interesting monument of native American culture. The labor necessary to rear the terraced pyramid, even though advantage was taken of a natural eminence, must have been great. The building itself, though not of great dimensions, except in length, must have required the labor of a large number of Indians for a long time. For purposes of defense, the location, from an Indian point of view, was an excellent one, since with them elevation constitutes the principal means of defense. The terraces could be easily ascended from but one point, where an enemy could be easily resisted. In a general way, it may be regarded as a representative of Yucatan buildings, and so we will be able to more rapidly describe the remaining structures.
On the general plan we see, to the north of the structure we have just described, a group of ruins marked “C.” This is regarded as the most wonderful collection of edifices in Yucatan, and as exhibiting the highest state of ancient architecture and sculpture in North America. They are known as the “Nunnery,” which we think is a very absurd name. The pyramid on which they stood is also terraced, though on one side only. We give a drawing showing the position on the summit platform of the four buildings forming this group. Since we have so many ruined structures to describe, we must avoid such details as will prove tiresome. We will give in a note the dimensions of these buildings, and of the pyramid, and pass at once to some points of special interest.47
Traces of stairways are mentioned as leading up to the terrace, but none of the steps remained in place. The southern building is seen to have doors in both the court and terrace walls, but in this case the middle wall is unbroken. All the rooms of this building are single. In the plan it appears divided into two buildings; the opening is, however, but a triangular arched doorway, through which access was had to the court.
There is no one to dispute our right of way, and so, climbing up the ruined stairs, and passing through the deserted gateway, we emerge into a courtyard, now silent and deserted and overgrown with bushes and grass. It was once paved and covered with cement, and in the center are the remains of a stone pillar, similar to that in front of the governor’s house. When the houses were all occupied this court must have presented an animated scene. But, now that the buildings are tenantless and going to ruin, it must impress all beholders with a sense of the changes wrought by time.