Mr. Squier tells us that the ruins “consist of a wilderness of walls, forming great inclosures, each containing a labyrinth of ruined dwellings and other edifices.” As our space is limited, we will describe but one of these inclosed spaces. This is a view of what is usually called a palace, but this certainly is an absurd name. The inclosure contains some thirty-two acres; the walls surrounding it are double, and sufficiently heavy to resist field artillery. At the base the walls, in some cases, are fifteen feet thick, gradually diminishing toward the top, where they are not more than three feet thick. They vary in height, the highest ranging from thirty to forty feet high. In order to give a clear idea of these walls, we introduce this cut, which gives us a section of the walls. The materials of which they are built is adobe.
Within this inclosure we notice three open places, or courts, a number of smaller cross-walls dividing the remaining space into a number of small courts. Around each of these courts, generally on three sides, are the ruins of houses. All in the interior of the large inclosures is so far gone in ruins that we can with difficulty make out the plan. Inclosures, such as we have described here, are the principal features of the Chimu ruins. Mr. Squier speaks of one three or four times the size of this one. With our present knowledge we are justified in concluding that Chimu was the head-quarters of a powerful tribe. We are surely justified in assuming further that each of these great inclosed squares, containing upwards of thirty, forty, and even fifty acres, was the home of a gens—their fortified place.
Of the houses, Mr. Squier says: “Around each court the dwellings of the ancient inhabitants are grouped with the utmost regularity. . . . Some are small, as if for watchmen or people on guard; others are relatively spacious, reaching the dimensions of twenty-five by fifteen feet inside the walls. These walls are usually about three feet thick, and about twelve feet high. The roofs were not flat, but, as shown by the gables of the various buildings, sharply pitched, so that, although rain may not have been frequent, it was, nevertheless, necessary to provide for its occurrence. Each apartment was completely separated from the next by partitions reaching to the very peak of the general roof. There are no traces of windows, and light and air were admitted into the apartment only by the door.”
On one side, at least, the whole area of the city was protected by a heavy wall, several miles of which were still standing at the time of Mr. Squier’s visit. At various places along this wall, cross-walls extended inward, thus inclosing great areas which have never been built over, and which show all evidence of ancient cultivation. We notice, near the upper end of this inclosure, a court, occupied by a mound. This is known as a huaca, which calls for some explanation. It seems that the general name among all the Peruvian people, for a sacred object, is huaca. Being a very superstitious people, this name is applied to a great variety of purposes, amongst others, to these great artificial mounds, the majority of which are probably burial mounds. The construction of many of these mounds is very singular. It seems as if they were a large collection of rooms, each one of which was filled with clay or adobe. In some of these chambers, probably, treasures are concealed. One very celebrated huaca, at Chimu, was found to contain an enormous amount of gold vessels.
We must not forget to notice the arts of the Chimu people. The walls of the inner edifices were often ornamented as is seen in the following cut, of which the upper one is stucco-work and the lower one is in relief. Adobe bricks are allowed to project out, forming the ornamental design. Other ornaments of stucco-work were observed. The second figure on this page gives us an idea of this style of ornaments. As an evidence of how the climate of Peru preserves ruins, we would mention that, though this last stucco-work has been exposed to the elements for probably several centuries, yet it is still apparently perfect.