In regard to the objects themselves, a glance at the illustrations show us that they are quite faithful sketches of the animals at that time common. As might be expected, sketches of the reindeer are numerous. This cut is regarded as the highest example of Paleolithic art, sketched on a piece of horn and found in Switzerland. The animal is grazing, and the grass on which it feeds is seen below. We have on a piece of slate the outlines of a group of reindeer, generally considered as representing a fight, though it may mean a hunt, and that the hunter has succeeded in killing a portion of the herd. Some, as we see, are on the ground.
It would be exceedingly interesting could we but find well executed sketches of the men of this period, but, unfortunately, with one or two exceptions, no representations, however rude, have yet been discovered of the human form. Perhaps an explanation of this fact may be found in the well-known reluctance of savage tribes to have any engravings taken of themselves, and we can well imagine that if any one was known to make drawings of human beings he would be regarded with suspicious distrust, and it would hardly be a safe accomplishment to possess. One very curious group represents a man, long and lean, standing between two horses’ heads, and by the side of a long serpent or fish, having the appearance of an eel. On the reverse side of this piece of horn were represented the heads of two aurochs or bisons. Mr. Dawkins thinks this also represents a hunting sketch, and that the man is in the act of striking one of the horses with a spear.
On, a fragment of spear-head found in France several human hands were engraved, but having only four fingers each. On this point Mr. Lartet assures us that some savage tribes still depict the hand without the thumb.28 Representations of birds and reptiles are very rare; fishes are more common. On a piece of reindeer’s horn was found this representation of the head and chest of an ibex. Of special interest to us is a representation of a mammoth found engraved on a piece of mammoth tusk in one of the Dordogne caves. We have no doubt that the artist who engraved it was perfectly familiar with the animal itself.