Injured whilst shooting a boar.—Constant was not aware of this occurrence, and was therefore somewhat incredulous of Las Cases (vol. i. 289). The account in the "Memorial of St. Helena" is as follows:—"Another time, while hunting the wild boar at Marly, all his suite were put to flight; it was like the rout of an army. The Emperor, with Soult and Berthier,[54] maintained their ground against three enormous boars. 'We killed all three, but I received a hurt from my adversary, and nearly lost this finger,' said the Emperor, pointing to the third finger of his left hand, which indeed bore the mark of a severe wound. 'But the most laughable circumstance of all was to see the multitude of men, surrounded by their dogs, screening themselves behind the three heroes, and calling out lustily "Save the Emperor![55] save the Emperor!" while not one advanced to my assistance'" (vol. ii. 202. Colburn, 1836).
"The Barber of Seville."—This was their best piece, and spectators (except Lucien) agree that in it the little theatre at Malmaison and its actors were unsurpassed in Paris. Bourrienne as Bartholo, Hortense as Rosina, carried off the palm. According to the Duchesse d'Abrantès, Wednesday was the usual day of representation, when the First Consul was wont to ask forty persons to dinner, and a hundred and fifty for the evening. As the Duchess had reason to know, Bonaparte was the severest of critics. "Lauriston made a noble lover," says the Duchess—"rather heavy" being Bourrienne's more professional comment. Eugène, says Méneval, excelled in footman's parts.[56] Michot, from the Theatre Français, was stage manager; and Bonaparte provided what Constant has called "the Malmaison Troupe," with their dresses and a collection of dramas. He was always spurring them on to more ambitious flights, and by complimenting Bourrienne on his prodigious memory, would stimulate him to learn the longest parts. Lucien, who refused to act, declares that Bonaparte quoted the saying of Louis XVI. concerning Marie Antoinette and her company, that the performances "were royally badly played." Junot, however, even in these days played the part of a drunkard only too well (Jung, vol. ii. 256).
No. 4.
The Sèvres Manufactory.—After his visit, he wrote Duroc: "This morning I gave, in the form of gratuity, a week's wages to the workmen of the Sèvres manufactory. Have the amount given to the director. It should not exceed a thousand écus."
No. 5.
Your lover, who is tired of being alone.—So much so that he got up at five o'clock in the morning to read his letters in a young bride's bed-chamber. The story is brightly told by the lady in question, Madame d'Abrantès (vol. ii. ch. 19). A few days before the Marly hunt, mentioned in No. 3, the young wife of seventeen, whom Bonaparte had known from infancy, and whose mother (Madame Permon) he had wished to marry, found the First Consul seated by her bedside with a thick packet of letters, which he was carefully opening and making marginal notes upon. At six he went off singing, pinching the lady's foot through the bed-clothes as he went. The next day the same thing happened, and the third day she locked herself in, and prevented her maid from finding the key. In vain—the unwelcome visitor fetched a master-key. As a last resource, she wheedled her husband, General Junot, into breaking orders and spending the night with her; and the next day (June 22) Bonaparte came in to proclaim the hunting morning, but by her side found his old comrade of Toulon, fast asleep. The latter dreamily but good-humouredly asked, "Why, General, what are you doing in a lady's chamber at this hour?" and the former replied, "I came to awake Madame Junot for the chase, but I find her provided with an alarum still earlier than myself. I might scold, for you are contraband here, M. Junot." He then withdrew, after offering Junot a horse for the hunt. The husband jumped up, exclaiming, "Faith! that is an amiable man! What goodness! Instead of scolding, instead of sending me sneaking back to my duty in Paris! Confess, my Laura, that he is not only an admirable being, but above the sphere of human nature." Laura, however, was still dubious. Later in the day she was taken to task by the First Consul, who was astounded when she told him that his action might compromise her. "I shall never forget," she says, "Napoleon's expression of countenance at this moment; it displayed a rapid succession of emotions, none of them evil." Josephine heard of the affair, and was jealous for some little time to come.
General Ney.—Bonaparte had instructed Josephine to find him a nice wife, and she had chosen Mlle. Aglaé-Louise Auguié, the intimate friend and schoolfellow of Hortense, and daughter of a former Receveur-Général des Finances. To the latter Ney goes fortified with a charming letter from Josephine, dated May 30—the month which the Encyclopædia Britannica has erroneously given for that of the marriage, which seems to have taken place at the end of July (Biographie Universelle, Michaud, vol. xxx.). Napoleon (who stood godfather to all the children of his generals) and Hortense were sponsors for the firstborn of this union, Napoleon Joseph, born May 8, 1803. The Duchess d'Abrantès describes her first meeting with Madame Ney at the Boulogne fête of August 15, 1802. Her simplicity and timidity "were the more attractive inasmuch as they formed a contrast to most of the ladies by whom she was surrounded at the court of France.... The softness and benevolence of Madame Ney's smile, together with the intelligent expression of her large dark eyes, rendered her a very beautiful woman, and her lively manners and accomplishments enhanced her personal graces" (vol. iii. 31). The brave way in which she bore her husband's execution won the admiration of Napoleon, who at St. Helena coupled her with Mdme. de Lavalette and Mdme. Labedoyère.