Never was No administered more gently
Or more decisively than in her answer
To the proposal in the crumpled letter.
Musing before a picture Linda sat.
"In my poor little range of art," thought she,
"I feel an expert's confidence; I know
These things are unexcelled; and yet why is it
They do not bring their value? Come, I'll try
Something more difficult,—put all my skill,
Knowledge, and work into one little piece."
Bravely she strove: it was a simple scene,
But with accessories as yet untried,
And done in oil with microscopic care;
An open window with a distant landscape,
And on the window-sill a vase of flowers.
It was a triumph, and she knew it was.
"Come, little housekeeper," she said to Rachel,
"We'll go and seek our fortune." So she put
Under her arm the picture, and they went
To show it to the dealer who had bought
Most of her works. But on her way she met
A clerk of the establishment, who said:
"Come into Taylor's here and take an ice;
I'd like to tell you something for your good."
When they all three were seated, Brown began:
"You may not see me at the store again;
For a ship's cousin wants my place, and so,
With little ceremony, I'm dismissed.
Now, if you've no objection, tell me what
The old man gave you for that composition
In which a bird—a humming-bird, I think—
Follows a child who has a bunch of flowers."
"Yes, I remember. Well, 'twas fifteen dollars."
"Whew! He said fifty. Is it possible?
You've seen the chromo copy, I suppose?"
"The chromo? I've seen nothing of a chromo.
Never has my consent been given to publish!"
"That's little to the purpose, it would seem.
A hundred thousand copies have been sold
Of all your pieces, first and last. You stare?"
A light broke in on Linda. All at once
The mystery that hung upon her strivings
Lay solved; the cloud was lifted; and she saw
That all this while she had not weighed her talents
In a false balance; had not been the dupe
Of her own aspirations and desires.
With eyes elate and hope up-springing fresh
In her glad heart, she cried, "And are you sure?"
"'Tis easily confirmed. Go ask the printer;
Only my number is below the mark."
From Brown, then, Linda got particulars,
Showing 'twas not a random utterance.
"'Tis strange," she said, "that I've not seen the chromos
At the shop windows."—"Only recently,"
Said he, "have they been sold here in the city;
The market has been chiefly at the West.
The old man thought it policy, perhaps,
To do it on the sly, lest you should know.
Well, well, in that bald head of his he has
A mine!" Then Linda struck the bell, and said:
"This is my entertainment, Mr. Brown;
Please let me pay for it." And Brown's "O no"
Was not so wholly irresistible
That Linda did not have her way in this.
They parted.
"Why, Miss Percival," said Rachel,
"You look precisely as you did that day
You fired the pistol in the woods,—you do!
I watched your eye, and knew you would not fail."
"'Tis to bring down a different sort of game,
We now go forth."—"But you forget your pistol."
"This time we shall not need one. Did I not
Say we were going forth to seek our fortune?
Well, Rachel, my dear child, we've found it,—found it."
"O, I'm so glad! (How rapidly you walk!)
And shall we have the old piano back?"
"Ay, that we shall! And you shall go to-morrow
And take a present to the poor blind aunt
And her old mother,—for they love you well."
"A present! Why, Miss Percival, there's nothing
I do so love to do as to make presents.
I've made three in my lifetime; one a ring
Of tortoise-shell; and one—"
But here they entered
A picture-store. A man who stood alert,
With thumbs hooked in the arm-holes of his vest,
Advanced to welcome her. The "old man" he,
Of Brown's narration; not so very old,
However; not quite thirty-five, in fact.
The capital which made his note so good
Was a bald head; a head you could not question;
A head which was a pledge of solvency,
A warrant of respectability!
The scalp all glossy; tufts above the ears!
This head he cultivated carefully,
And always took his hat off when he went
To ask a discount or to clinch a bargain.
"Ah! my young friend, Miss Percival," he cried,
"You've something choice there, if I'm not mistaken."
Linda took off the wrapper from her picture
And showed it.
An expression of surprise
Came to the "old man's" features; but he hid it
By making of his hand a cylinder
And looking through it, like a connoisseur.
These were his exclamations: "Clever! Ay!
Style somewhat new; landscape a shade too bright;
The sky too blue, eh? Still a clever picture,—
One of your best. Shall we say twenty dollars?"
Taking the picture, Linda said, "Good morning!
I'm in a hurry now, and you'll excuse me."
"Will you not leave it?"—"No, I'm not disposed
To part with it at present."—"Thirty dollars
Would be a high price for it, but to aid you
I'll call it thirty."—"Could you not say fifty?"
"You're joking with me now, Miss Percival."
"Then we will end our pleasantry. Good by."
"Stay! You want money: I shall be ashamed
To let my partners know it, but to show
How far I'll go for your encouragement—
Come! I'll say fifty dollars."
The "old man"
Lowered his head, so that the burnished scalp
Might strike her eye direct. Impenetrable
To that appeal, Linda said: "I can get
A hundred for it, I believe. Good day!"
"Stop, stop! For some time our intent has been
To make you a small present as a proof
Of our regard; now will I merge it in
A hundred dollars for the picture. Well?"
"Nay, I would rather not accept a favor.
I must go now,—will call again some day."
Desperate the "old man" moved his head about
In the most striking lights, and patted it
Wildly at last, as if by that mute act
To stay the unrelenting fugitive.
In vain! She glided off, and Rachel with her.
"Where now, Miss Percival?"—"To make a call
Upon a lawyer for advice, my dear."
Thoughtfully Diggin listened to the case,
So clearly stated that no part of it
Was left to disentangle. "Let me look,"
He said, "at your new picture; our first step
Shall be to fix the right of publication
In you alone. Expect from me no praise,—
For I'm no judge of art. Fine points of law,
Not fine points in a picture, have engaged
My thoughts these twenty years. While you wait here,
I'll send my clerk to copyright this painting.
What shall we call it?"—"Call it, if you please,
'The Prospect of the Flowers.'"—"That will do.
Entered according to—et cetera.
Your name is—" "Linda Percival."—"I thought so.
Here, Edward, go and take a copyright
Out for this work, 'The Prospect of the Flowers.'
First have it photographed, and then deposit
The photographic copy with the Court."