OVERTURE.
Blest Power that canst transfigure common things,
And, like the sun, make the clod burst in bloom,—
Unseal the fount so mute this many a day,
And help me sing of Linda! Why of her,
Since she would shrink with manifest recoil,
Knew she that deeds of hers were made a theme
For measured verse? Why leave the garden flowers
To fix the eye on one poor violet
That on the solitary grove sheds fragrance?
Themes are enough, that court a wide regard,
And prompt a strenuous flight; and yet from all,
My thoughts come back to Linda. Let me spare,
As best I may, her modest privacy,
While under Fancy's not inapt disguise
I give substantial truth, and deal with no
Unreal beings or fantastic facts:
Bear witness to it, Linda!
Now while May
Keeps me a restive prisoner in the house,
For the first time the Spring's unkindness ever
Held me aloof from her companionship,
However roughly from the east her breath
Came as if all the icebergs of Grand Bank
Were giving up their forms in that one gust,—
Now while on orchard-trees the struggling blossoms
Break from the varnished cerements, and in clouds
Of pink and white float round the boughs that hold
Their verdure yet in check,—and while the lawn
Lures from yon hemlock hedge the robin, plump
And copper-breasted, and the west wind brings
Mildness and balm,—let me attempt the task
That also is a pastime.
What though Spring
Brings not of Youth the wonder and the zest;
The hopes, the day-dreams, and the exultations?
The animal life whose overflow and waste
Would far out-measure now our little hoard?
The health that made mere physical existence
An ample joy; that on the ocean beach
Shared with the leaping waves their breezy glee;
That in deep woods, or in forsaken clearings,
Where the charred logs were hid by verdure new,
And the shy wood-thrush lighted; or on hills
Whence counties lay outspread beneath our gaze;
Or by some rock-girt lake where sandy margins
Sloped to the mirrored tints of waving trees,—
Could feel no burden in the grasshopper,
And no unrest in the long summer day?
Would I esteem Youth's fervors fair return
For temperate airs that fan sublimer heights
Than Youth could scale; heights whence the patient vision
May see this life's harsh inequalities,
Its rudimental good and full-blown evil,
Its crimes and earthquakes and insanities,
And all the wrongs and sorrows that perplex us,
Assume, beneath the eternal calm, the order
Which can come only from a Love Divine?
A love that sees the good beyond the evil,
The serial life beyond the eclipsing death,—
That tracks the spirit through eternities,
Backward and forward, and in every germ
Beholds its past, its present, and its future,
At every stage beholds it gravitate
Where it belongs, and thence new-born emerge
Into new life and opportunity,
An outcast never from the assiduous Mercy,
Providing for His teeming universe,
Divinely perfect not because complete,
But because incomplete, advancing ever
Beneath the care Supreme?—heights whence the soul,
Uplifted from all speculative fog,
All darkening doctrine, all confusing fear,
Can see the drifted plants, can scent the odors,
That surely come from that celestial shore
To which we tend; however out of reckoning,
Swept wrong by Error's currents, Passion's storms,
The poor tossed bark may be?
Descend, my thoughts!
Your theme lies lowly as the ground-bird's nest;
Why seek, with wings so feeble and unused,
To soar above the clouds and front the stars?
Descend from your high venture, and to scenes
Of the heart's common history come down!
[II.]
THE FATHER'S STORY.
The little mansion had its fill of sunshine;
The western windows overlooked the Hudson
Where the great city's traffic vexed the tide;
The front received the Orient's early flush.
Here dwelt three beings, who the neighbors said
Were husband, wife, and daughter; and indeed
There was no sign that they were otherwise.
Their name was Percival; they lived secluded,
Saw no society, except some poor
Old pensioner who came for food or help;
Though, when fair days invited, they would take
The omnibus and go to see the paintings
At the Academy; or hear the music
At opera or concert; then, in summer,
A visit to the seaside or the hills
Would oft entice them.
Percival had reached
His threescore years and five, but stood erect
As if no touch of age had chilled him yet.
Simple in habit, studious how to live
In best conformity with laws divine,—
Impulsive, yet by trial taught to question
All impulses, affections, appetites,
At Reason's bar,—two objects paramount
Seemed steadily before him; one, to find
The eternal truth, showing the constant right
In politics, in social life, in morals,—
The other, to apply all love and wisdom
To education of his child—of Linda.