When ideas are so far abstracted as in the above example, they have been termed simple by the writers of metaphysics, and seem indeed to be more complete repetitions of the ideas or sensual motions, originally excited by external objects.
Other classes of these ideas, where the abstraction has not been so great, have been termed, by Mr. Locke, modes, substances, and relations, but they seem only to differ in their degree of abstraction from the complex ideas that were at first excited; for as these complex or natural ideas are themselves imperfect copies of their correspondent perceptions, so these abstract or general ideas are only still more imperfect copies of the same perceptions. Thus when I have seen an object but once, as a rhinoceros, my abstract idea of this animal is the same as my complex one. I may think more or less distinctly of a rhinoceros, but it is the very rhinoceros that I saw, or some part or property of him, which recurs to my mind.
But when any class of complex objects becomes the subject of conversation, of which I have seen many individuals, as a castle or an army, some property or circumstance belonging to it is peculiarly alluded to; and then I feel in my own mind, that my abstract idea of this complex object is only an idea of that part, property, or attitude of it, that employs the present conversation, and varies with every sentence that is spoken concerning it. So if any one should say, "one may sit upon a horse safer than on a camel," my abstract idea of the two animals includes only an outline of the level back of the one, and the gibbosity on the back of the other. What noise is that in the street?—Some horses trotting over the pavement. Here my idea of the horses includes principally the shape and motion of their legs. So also the abstract ideas of goodness and courage are still more imperfect representations of the objects they were received from; for here we abstract the material parts, and recollect only the qualities.
Thus we abstract so much from some of our complex ideas, that at length it becomes difficult to determine of what perception they partake; and in many instances our idea seems to be no other than of the sound or letters of the word, that stands for the collective tribe, of which we are said to have an abstracted idea, as noun, verb, chimæra, apparition.
[6]. Ideas have been divided into those of perception and those of reflection, but as whatever is perceived must be external to the organ that perceives it, all our ideas must originally be ideas of perception.
[7]. Others have divided our ideas into those of memory, and those of imagination; they have said that a recollection of ideas in the order they were received constitutes memory, and without that order imagination; but all the ideas of imagination, excepting the few that are termed simple ideas, are parts of trains or tribes in the order they were received; as if I think of a sphinx, or a griffin, the fair face, bosom, wings, claws, tail, are all complex ideas in the order they were received: and it behoves the writers, who adhere to this definition, to determine, how small the trains must be, that shall be called imagination; and how great those, that shall be called memory.
Others have thought that the ideas of memory have a greater vivacity than those of imagination: but the ideas of a person in sleep, or in a waking reverie, where the trains connected with sensation are uninterrupted, are more vivid and distinct than those of memory, so that they cannot be distinguished by this criterion.
The very ingenious author of the Elements of Criticism has described what he conceives to be a species of memory, and calls it ideal presence; but the instances he produces are the reveries of sensation, and are therefore in truth connections of the imagination, though they are recalled in the order they were received.
The ideas connected by association are in common discourse attributed to memory, as we talk of memorandum-rings, and tie a knot on our handkerchiefs to bring something into our minds at a distance of time. And a school-boy, who can repeat a thousand unmeaning lines in Lilly's Grammar, is said to have a good memory. But these have been already shewn to belong to the class of association; and are termed ideas of suggestion.
[II]. Lastly, the method already explained of classing ideas into those excited by irritation, sensation, volition, or association, we hope will be found more convenient both for explaining the operations of the mind, and for comparing them with those of the body; and for the illustration and the cure of the diseases of both, and which we shall here recapitulate.