Moor Park, when Sir William Temple had it, saw the writing of many books. Sir William Temple himself, deeply hurt with his sovereign, James II, for striking his name off the Privy Council, had vowed to give up diplomacy and turn to gardening and writing for the rest of his life. His gardening may have been as good as his writing, and his essay on Gardening is, of all his writings, perhaps the best. But it was in his seclusion at Moor Park that he wrote, also, one of the most ridiculous papers that ever brought the fame of an essayist to a retired politician. His Essay Upon the Ancient and Modern Learning remains one of the most astonishing examples of the admirable writing down of trash in the history of letters. Quite unnecessarily, he had taken up the task of comparing modern writers with ancient, to the disadvantage of the modern, and he cannot be said to have been well equipped for the business. He had never read a word of Greek, and he achieved the distinction of criticising modern writing without a single reference to the works of Dante, Petrarch, Tasso, Ariosto, Molière, Racine, Corneille, Chaucer, Spenser, Milton, and Shakespeare. The extraordinary thing is that the book was welcomed, and when a quarrel was struck over his claim that the Letters of Phalaris (which he could not read) were the best Letters in the world, he found ready champions. They were hopelessly defeated by Bentley, but Sir William Temple fortunately died before the defeat.
Better books were written at Moor Park by Sir William's secretary. Jonathan Swift, angry and rebellious, hating the authority and restraint of his Irish University, came to England an uncouth, ill-balanced, extravagant creature of twenty-one, and settled, or half-settled, to his work as amanuensis. He threw up his post in a rage, went over to Ireland and was ordained priest, made up his quarrel with his patron and came back to Moor Park to write The Tale of a Tub and The Battle of the Books. But the books were almost incidents. The mainspring of his life was his melancholy devotion to the pretty girl who waited on Lady Giffard, Sir William Temple's sister. She was Esther Johnson, daughter of Sir William's steward, but as Swift's Stella she lives in the story of sad and mysterious passions with Héloise and Laura.
Sir William Temple died in 1699, and was buried by his wife's side in Westminster Abbey; all but his heart, and that was laid in a silver box under the sundial in his garden. He left his papers to Swift, who wrote that there had died "with him all that was good and amiable among men," and to prove it quarrelled acrimoniously with the family.
Of another, gentler inmate of Moor Park we hear very little. Her fame was assured her when, as Dorothy Osborne, she had waited seven years to marry William Temple, and had sent to him, without an idea that they would reach an English public, some of the most graceful girlish letters ever written. After her marriage she leaves the scene, or we see her seldom. She corresponded with Queen Mary, but Swift has little to tell us about her. She, at least, could never have enraged him.
Stella's Cottage.
Moor Park lies along the banks of the Wey, and through it runs a drive open to foot passengers, but not to bicycles or dogs. Nearly at the end of the drive going towards Waverley Abbey is a curious cave, lined and roofed at the entrance with stone, and barred and gated and spiked with iron, evidently a fit habitation, once upon a time, for a very witch-like old woman. The gates, or rather railings which do not open, must have been placed there many years ago, for no initials have been carved, or at least none are visible, on the stone within. The cave runs back, some way from the road, into pleasantly dubious darkness. In this case, according to the tradition of the place, lived the witch, Mother Ludlam, whose caldron lies in the tower of Frensham Church. Another excavation in the ground a few yards away has also its own tradition, or rather two traditions. One is that it was the regular abode of a hermit named Foote, who starved to death in it; another, that Foote was a lunatic who was found dying in the hole, but actually died in the workhouse. The details are precise. "Foote was a gentleman. He came one day to the Unicorn Inn at Farnham. Next day he hired a man to wheel a heavy portmanteau to Moor Park gate, when he told the man to put it down. Foote was taken very ill, was found by old Hill the keeper and taken to Swift's cottage where Hill lived. The union officials took Foote and his heavy portmanteau to the Union. 'It's only buttons inside,' said they. 'It's gold! gold!' exclaimed Foote with his dying breath." So runs the local version.
In Moor Park.
At the gates of the entrance of Moor Park stands a charming cottage, brick and timber embowered in roses. It has been known at different times as "Dean Swift's Cottage" and "Stella's Cottage." Perhaps neither lived there. Outside the park the Wey broadens out into a wide pool, shaded by magnificent sycamores, and then drops through sluices to a lower level, to twist back to the north-west under the walls of Waverley Abbey.