Highways and Byways in Surrey

by Eric Parker

On the downs by Newlands Corner, near the great trackway of the trading Britons, stand some of the finest yews in England. To one of a group of trees, a monarch whose descendants count their centuries in a ring about him, belongs a noble poem. Mr. William Watson, under the shade of its branches, wrote The Father of the Forest. These are the opening lines:—

Old emperor Yew, fantastic sire,
Girt with thy guard of dotard kings,—
What ages hast thou seen retire
Into the dusk of alien things?
What mighty news hath stormed thy shade,
Of armies perished, realms unmade?
Already wast thou great and wise,
And solemn with exceeding eld,
On that proud morn when England's rays,
Wet with tempestuous joy, beheld
Round her rough coasts the thundering main
Strewn with the ruined dream of Spain.
Hardly thou count'st them long ago,
The warring faiths, the wavering land,
The sanguine sky's delirious glow,
And Cranmer's scorched, uplifted hand.
Wailed not the woods their task of shame,
Doomed to provide the insensate flame?
Mourned not the rumouring winds, when she,
The sweet queen of a tragic hour,
Crowned with her snow-white memory
The crimson legend of the Tower?
Or when a thousand witcheries lay
Felled with one stroke, at Fotheringay?
Ah, thou hast heard the iron tread
And clang of many an armoured age,
And well recall'st the famous dead,
Captains or counsellors brave or sage,
Kings that on kings their myriads hurled,
Ladies whose smile embroiled the world.

The pilgrims' road, as I have tried to show elsewhere, separates from the Way again at Guildford. The old British track probably kept to the northern ridge; the pilgrims who visited Guildford may have left by the same road, but they turned away across the valley to the little chapel of St. Martha, which stands on a hill two miles south-east of the town. The pilgrim's track to the chapel, vanished in parts, becomes plain enough when it crosses the road which now runs from Guildford to Chilworth west of the chapel by perhaps half a mile. Here it is a wide smooth path of the finest down grass, cropped close by rabbits, with which all this breezy hill must be alive by night. Nearly at the top the path breaks into sand, which must have tested the less elastic of the travellers to the shrine pretty severely, but the sand breaks again into an open plateau of as fine grass as the path below. On this plateau stands the little church, alone in the sun and wind.

St. Catherine's Chapel, Guildford.

Sixty years ago St. Martha's was a ruin; as unhappy a little building as St. Catherine's on the hill beyond the Wey. It was restored in 1848, and has taken out of the past a quiet and serenity that set it in the old years, in tranquil sunshine, in the peace of English Sundays. All the winds blow about it; it is alone in its acre of smooth down grass; within its churchyard wall are the graves of country labourers and their children, lowly mounds hardly seen, without the memory of a name, at one with the purpose of the earth they dug and sowed. Pine trees stand round the open space of the hill; bluebells in May spread a film under them; beyond the grasses, heather and ling die from August purples to the bronze of autumn. The Surrey hills are to the south and west; farthest on the horizon is the faint blue of the Sussex downs.

There are early Norman walls and arches in the restored chapel. St. Martha's may be one of the three churches which Domesday assigns to the manor of Bramley, belonging to Bishop Odo of Bayeux. A less trustworthy tradition is that Stephen Langton is buried there; the lids of the old stone coffins found in the chapel when it was restored probably account for that legend. Martin Tupper accepted the legend as history.

St. Martha's chapel has inspired more than one poet, Tupper among them, but none have written with more charm on the lonely little building than Mr. Sidney Allnutt, in a poem which was published in the Spectator last year. Here are six stanzas out of many:—

A little chapel grey with years,
And bleached with sun and rain,
One solid four-square tower it rears
Above strong walls which still oppose
Firm front to elemental foes
That rage at them in vain.
Far southward from St. Martha's Hill,
And to the east and west,
The downs heave up green shoulders, till
The distance with its magic blue
Envelops every other hue,
And crest is lost in crest.
Safe sheltered by the encircling downs
The chequered valleys show
Their tapestry of greens and browns,
Made rich by fields of golden grain,
And threaded by a silver vein
Where Wey's clear waters flow.
A churchyard bare of shrub or tree,
All open to the sky,
To every wind of heaven free,
Lies round the chapel, carpeted
With soft, sweet turf where happy dead
In dreamless slumber lie.
For, far removed from camp or mart,
Beneath the sacred sod
Of that blest hill they sleep apart:
Forgotten by the world below,
After life's spendthrift toil they know
The rest that comes from God.
And, oh, it must be good to sleep
Within that churchyard bare,
While turn by turn the seasons keep
A bedside watch, and God may see
Safe in St. Martha's nursery
His children pillowed there.