We select, as a dug-out, a reinforced concrete cellar into which steps lead down from above. The entrance is protected by a separate concrete wall.
Now we develop an immense industry. This is an opportunity not only to stretch one's legs, but to stretch one's soul also. We make the best use of such opportunities. The war is too desperate to allow us to be sentimental for long. That is only possible so long as things are not going too badly. After all, we cannot afford to be anything but matter-of-fact. So matter-of-fact, indeed, that I often shudder when a thought from the days before the war comes momentarily into my head. But it does not stay long.
We have to take things as lightly as we can, so we make the most of every opportunity, and nonsense stands stark and immediate beside horror. It cannot be otherwise, that is how we hearten ourselves. So we zealously set to work to create an idyll—an idyll of eating and sleeping, of course.
The floor is first covered with mattresses which we haul in from the houses. Even a soldier's behind likes to sit soft. Only in the middle of the floor is there any clear space. Then we furnish ourselves with blankets and eiderdowns, luxurious soft affairs. There is plenty of everything to be had in the town. Albert and I find a mahogany bed which can be taken to pieces, with a sky of blue silk and a lace coverlet. We sweat like monkeys moving it in, but a man cannot let a thing like that slip, and it would certainly be shot to pieces in a day or two.
Kat and I do a little patrolling through the houses. In very short time we have collected a dozen eggs and two pounds of fairly fresh butter. Suddenly there is a crash in the drawing room, and an iron stove hurtles through the wall past us and on, a yard from us out through the wall behind. Two holes. It comes from the house opposite where a shell has just landed. "The swine," grimaces Kat, and we continue our search. All at once we prick up our ears, hurry across, and suddenly stand petrified—there running up and down in a little sty are two live sucking pigs. We rub our eyes and look once again to make certain. Yes, they are still there. We seize hold of them—no doubt about it, two real young pigs.
This will make a grand feed. About twenty yards from our dug-out there is a small house that was used as an officers' billet. In the kitchen is an immense fireplace with two ranges, pots, pans, and kettles—everything, even to a stack of small chopped wood in an outhouse—a regular cook's paradise.
Two of our fellows have been out in the fields all the morning hunting for potatoes, carrots, and green peas. We are quite uppish and sniff at the tinned stuff in the supply dump, we want fresh vegetables. In the dining-room there are already two heads of cauliflower.
The sucking pigs are slaughtered. Kat sees to them. We want to make potato cakes to go with the roast. But we cannot find a grater for the potatoes. However, that difficulty is soon got over. With a nail we punch a lot of holes in a pot lid and there we have a grater. Three fellows put on thick gloves to protect their fingers against the grater, two others peel the potatoes, and the business gets going.
Kat samples the sucking pigs, the carrots, the peas, and the cauliflower. He even mixes a white sauce for the cauliflower. I fry the pancakes, four at a time. After ten minutes I get the knack of tossing the pan so that the pancakes which are done on the one side sail up, turn in the air and are caught again as they come down. The sucking pigs are baked whole. We all stand round them as before an altar.
In the meantime we receive visitors, a couple of wireless-men, who are generously invited to the feed. They sit in the living-room where there is a piano. One of them plays, the other sings 'An der Weser.' He sings feelingly, but with a rather Saxon accent. All the same it moves us as we stand at the fireplace preparing the good things.