“It might do so,” admitted Fa Fai graciously, “but in order to express the arisement adequately it would be necessary to display them twice—first on the bridge with their faces turned towards the west, and then in the flood with their faces towards the east; and the superficial might hastily assume that the three on the bridge would rescue the three in the river.”
“You are all-wise,” said Wei Chang, with well-marked admiration in his voice. “This person’s suggestion was opaque.”
“In any case,” continued Fa Fai, with a reassuring glance, “it is a detail that is not essential to the frustration of Fang’s malignant scheme, for already well on its way towards Hien Nan may be seen a trustworthy junk, laden with two formidable crates, each one containing fivescore plates of the justly esteemed Wong Ts’in porcelain.”
“Nevertheless,” maintained Wei Chang mildly, “the out-passing of Fang would have been a satisfactory detail of the occurrence.”
“Do not despair,” replied Fa Fai. “Not idly is it written: ‘Destiny has four feet, eight hands and sixteen eyes: how then shall the ill-doer with only two of each hope to escape?’ An even more ignominious end may await Fang, should he escape drowning, for, conveniently placed by the side of the stream, this person has introduced a spreading willow-tree. Any of its lower branches is capable of sustaining Fang’s weight, should a reliable rope connect the two.”
“There is something about that which this person now learns is a willow that distinguishes it above all the other trees of the design,” remarked Wei Chang admiringly. “It has a wild and yet a romantic aspect.”
“This person had not yet chanced upon a suitable title for the device,” said Fa Fai, “and a distinguishing name is necessary, for possibly scores of copies may be made before its utility is exhausted. Your discriminating praise shall be accepted as a fortunate omen, and henceforth this shall be known as the Willow Pattern Embellishment.”
“The honour of suggesting the title is more than this commonplace person can reasonably carry,” protested Wei Chang, feeling that very little worth considering existed outside the earth-shed. “Not only scores, but even hundreds of copies may be required in the process of time, for a crust of rice-bread and handful of dried figs eaten from such a plate would be more satisfying than a repast of many-coursed richness elsewhere.”
In this well-sustained and painless manner Fa Fai and Wei Chang continued to express themselves agreeably to each other, until the lengthening gong-strokes warned the former person that her absence might inconvenience Wong Ts’in’s sense of tranquillity on his return, nor did Wei Chang contest the desirability of a great space intervening between them should the merchant chance to pass that way. In the meanwhile Chang had explained many of the inner details of his craft so that Fa Fai should the better understand the requirements of her new art.
“Yet where is the Willow plate itself?” said the maiden, as she began to arrange her mind towards departure. “As the colours were still in a receptive state this person placed it safely aside for the time. It was somewhat near the spot where you—”