“There are other things that I would learn of your craft. What kind of story is the most favourably received, and the one whereby your collecting bowl is the least ignored?”
“That depends on the nature and condition of those who stand around, and therein lies much that is essential to the art,” replied Kai Lung, not without an element of pride. “Should the company be chiefly formed of the illiterate and the immature of both sexes, stories depicting the embarrassment of unnaturally round-bodied mandarins, the unpremeditated flight of eccentrically-garbed passers-by into vats of powdered rice, the despair of guardians of the street when assailed by showers of eggs and overripe lo-quats, or any other variety of humiliating pain inflicted upon the innocent and unwary, never fail to win approval. The prosperous and substantial find contentment in hearing of the unassuming virtues and frugal lives of the poor and unsuccessful. Those of humble origin, especially tea-house maidens and the like, are only really at home among stories of the exalted and quick-moving, the profusion of their robes, the magnificence of their palaces, and the general high-minded depravity of their lives. Ordinary persons require stories dealing lavishly with all the emotions, so that they may thereby have a feeling of sufficiency when contributing to the collecting bowl.”
“These things being so,” remarked the maiden, “what story would you consider most appropriate to a company composed of such as she who is now conversing with you?”
“Such a company could never be obtained,” replied Kai Lung, with conviction in his tone. “It is not credible that throughout the Empire could be found even another possessing all the engaging attributes of the one before me. But should it be my miraculous fortune to be given the opportunity, my presumptuous choice for her discriminating ears alone would be the story of the peerless Princess Taik and of the noble minstrel Ch’eng, who to regain her presence chained his wrist to a passing star and was carried into the assembly of the gods.”
“Is it,” inquired the maiden, with an agreeable glance towards the opportune recumbence of a fallen tree, “is it a narration that would lie within the passage of the sun from one branch of this willow to another?”
“Adequately set forth, the history of the Princess Taik and of the virtuous youth occupies all the energies of an agile story-teller for seven weeks,” replied Kai Lung, not entirely gladdened that she should deem him capable of offering so meagre an entertainment as that she indicated. “There is a much-flattened version which may be compressed within the narrow limits of a single day and night, but even that requires for certain of the more moving passages the accompaniment of a powerful drum or a hollow wooden fish.”
“Alas!” exclaimed the maiden, “though the time should pass like a flash of lightning beneath the allurement of your art, it is questionable if those who await this one’s returning footsteps would experience a like illusion. Even now—” With a magnanimous wave of her well-formed hand she indicated the other maiden, who, finding that the danger of pursuit was not sustained, had returned to claim her part.
“One advances along the westward road,” reported the second maiden. “Let us fly elsewhere, O allurer of mankind! It may be—”
“Doubtless in Yu-ping the sound of your uplifted voice—” But at this point a noise upon the earth-road, near at hand, impelled them both to sudden flight into the deeper recesses of the wood.
Thus deprived, Kai Lung moved from the shadow of the trees and sought the track, to see if by chance he from whom they fled might turn to his advantage. On the road he found one who staggered behind a laborious wheel-barrow in the direction of Loo-chow. At that moment he had stopped to take down the sail, as the breeze was bereft of power among the obstruction of the trees, and also because he was weary.