Now Elizabeth was neither beautiful in person or character, but she possessed the very genius of sovereignty.
The imperious Tudor temper to which she constantly yielded, certainly detracted from her womanly qualities, but what she lacked as woman, it is only just to say, she more than made up for as Queen.
On this occasion, besides the great pageant, rustic sports of every kind, including bull baiting, were indulged in, and "a play was acted by the men of Coventry."
That she shared her people's love of dancing is again shewn by the following: "We are in frolic here at Court," writes Lord Worcester in 1602, "much dancing of country dances in the Privy Chamber before the Queen's Majesty, who is exceedingly pleased therewith."
In fact, her sympathy with the amusements of the people, and her encouragement of every healthy enjoyment, are certainly great factors in the hold her memory has retained in the minds of the English race.
There are other reasons, of course, of graver
import, but they do not enter into our immediate consideration.
All the Tudor monarchs were essentially musical, as being Welsh they well might be. Henry VIII. was a composer of both sacred and secular music. I well remember that the first of an old volume of anthems in the library of Salisbury Cathedral was by no less a personage than that monarch himself. It was not, however, so far as my experience went, ever sung.
Queen Elizabeth was also an accomplished musician and an expert performer on the virginals, as the following quotation goes to prove. Its interest is peculiarly striking as it shows yet another side of the character of this many-sided, wonderful woman. It is from the memoirs of Sir James Melvil, at the time Scottish Ambassador:—