'Murphy': A Message to Dog Lovers

by Ernest Gambier-Parry

That day passed without improvement, though every effort was made and a walk was taken in the fields: the night, the stranger spent in company, for he appeared to have a dread of being left alone. The day following matters were unfortunately made worse. It is the fate of many who are down to find themselves trodden on: the lucky meet with luck; the unlucky, more often, with misfortune. The world is full of remarkably strange ordinances; or rather, it might be said, life is replete with incidents that are often the last wished for. From him that hath not shall be taken away, not alone that which he hath, but even that also which “he seemeth to have.” So be it. No doubt, in the majority of instances, he deserves to be so made bereft. On some, however, such things come hard.

The room in which Murphy had taken up his abode was part library, part studio, and part a good many other things. A large picture—the canvas measured six feet—was being worked upon on this second morning after the young dog’s arrival; and, as was perversely ruled, it was just here that an accident occurred that might well have been judged impossible. The easel, in fact, with its huge canvas, was overset, carrying many things into limbo as they fell; and with the fate that too often pursues the unfortunate, Murphy therefore found himself suddenly buried beneath a mixed assortment of articles to which he had hitherto been strange. To add to the rest, a whole string of cattle and sheep bells, brought from various parts of the world, were set ringing, and others were dislodged; and for the moment it appeared that the dog must certainly have been killed. The only good thing subsequently gathered from the strange proceedings was that the dog had uttered no whimper. But if he was frightened before, he was terror-stricken now; and matters had therefore gone from bad to worse.

There is little need to describe what followed. On the one hand, it was judged that this was the proverbial last straw; that the dog would assuredly never recover now; and that therefore the only thing to be done was to send him back, with an earnest appeal for his life to be spared. Yet, once again, cooler judgments in the end prevailed. The dog had not whimpered. There was something in that. Moreover, by what had now occurred, an injury had been done to his already unhappy spirit, and, unless all honour had ceased to find a place between man and dog, reparation was certainly his due. In one quarter a sense of pity had furthermore been generated—a fact, though unsuspected at the time, that was to prove the hub round which Murphy’s whole future was destined to revolve. An appeal to the heart, if such once gets home, can never really fail—unless, as Murphy’s countrymen might say, the person appealed to proves heartless.

Thus it was that a sheet of paper that left the house the same evening contained words to this effect:

“I ought to have written to you before about Murphy, as also to have sent you the enclosed cheque. But, to tell you the truth, I have been so much puzzled by this dog that I have purposely waited a day or two before writing to you. I have owned dogs for a great many years and of many breeds and temperaments; but never, in the whole of my experience, have I come across any dog as nervous as this one: it is pitiful to see him. Even my old dog’s presence does not help him; and really, so far, I have been able to make nothing of him. Perhaps he may get better; but I almost doubt it. I wonder if, without you knowing it yourself, the dog has been cruelly treated. I keep looking at him and wondering, for I cannot, somehow, link this dog lying in front of me, and never closing his eyes, with the description you wrote of him. The journey would not account for it. However, we must hope for the best.”

To this came answer:

“In face of what you tell me of the dog, I cannot of course accept your cheque, and therefore return it. But do please keep the dog for a month or six weeks, or as long as you like, and write to me again then. I assure you the dog is a good dog. Perhaps his surroundings are strange to him. They must be. The old dog will help him to come round, I feel sure.”

A few days later the door opened, and a stranger was announced. Murphy was on the hearthrug, as usual; the canvas and easel had been banished to a corner, and an effort was being made to accustom Murphy to the clicking of a typewriter—a sound concerning which he was evidently doubtful.

“Ah, Murphy; you’re a nice dog, aren’t you?” The dog had gone to the door, and the great figure of the Over-Lord was stooping to notice him. “I always like to see where my dogs go, if possible,” he added; “and I wanted to hear from you, as well as to see for myself, what was the matter, for this is a good dog—a nice dog: I know he is. He’ll come all right. Just please give him time; and then, if you don’t like him, send him back. He is as good a dog—gentle, you know, gentle—as I’ve bred. Why, I can assure you, I refused (mentioning several hundred pounds)—I refused that sum for a pair of his relations, only last year; so you will judge he is well enough in the matter of class.”

“Why did you refuse? Most people would have jumped at such an offer.”