His palace, called the Loove, which he himself had built, has long since been swept away; its site is now occupied by the Palais de Justice. The old Church of St. Peter, where his funeral Mass was celebrated, was pulled down at the close of the seventeen hundreds, of the church which took its place only the chancel now remains, and even this no longer serves its original purpose. Some years ago it was converted into a tavern, and it is now a warehouse. St. Donatian’s, the scene of Charles’s death, and of the Erembalds’ last stand for life and liberty, was destroyed at the Revolution. It stood just opposite the Hôtel de Ville, on the site where now, under the shade of spreading sycamore and chestnut trees, the flower market is held, and the statue of Van Eyck in the centre of this square marks the spot where Charles is said to have fallen.

The débris of the cathedral was carried all over Flanders. A portion of it is said to have been used for the construction of a château which stands some little way off the high road on the right-hand side between Steenbrugge and Lophem, about three miles from Bruges. It is a pleasant enough place to look at in its beautiful wooded grounds, but the country folk will tell you that ill fortune has always followed those who have dwelt there.

Charles’s name is also associated with the beautiful Church of Notre Dame. Here, in 1091, a chapter of secular priests was installed, Charles provided for the endowment of half the canonicates, and when, in 1116, the building was destroyed by fire, it was he who restored it.

Tradition says that the main portion of the present church was constructed in 1180 or thereabouts by Gertrude of Alsace, the widow of Rodolphe de Nesle, Châtelain of Bruges, and curiously enough a scion of the house of Erembald, but as Charles’s church was only completed in 1120, and it is not likely that a comparatively new and probably magnificent structure would have been deliberately pulled down—and there is no record of its having been accidentally destroyed by fire or otherwise—it may well be that Charles in reality only built a portion of the new church, perhaps the nave and the adjoining aisles, and that what Gertrude did, sixty years later, was to complete his unfinished work. If this be so, the greater part of the present building owes its origin to Charles the Good.

In the Church of Notre Dame we perhaps also get a glimpse of the magnificent Bertulph himself. Of its chapter a certain Germanus was the first provost, who in all probability at the time of his appointment was quite a youth, for shortly afterwards he went to reside at Louvain, in order to complete his theological studies, and one Bertulph was appointed to act as superior during his absence. What we are told of the character and disposition of this ecclesiastic coincides so nearly with the character and disposition ascribed to the redoubtable Provost of Bruges, that, bearing in mind the identity of their name, not a common one in those days in Flanders, and the intimate connection which we shall see each of them had with Eeckhout Abbey,[15] it is difficult to believe that the Bertulph of Notre Dame and the Bertulph of St. Donatian’s were different persons. In each of them we find the same fiery temper, the same overweening pride, and the same indomitable will, the same exaggerated devotion and the same harshness in their dealings with their fellow-men. Walbert has left us a graphic picture of the receptions this ‘proud prelate’ held in the great oak-roofed hall of his sumptuous palace on the Bourg. Swelling with pride, there he used to sit on a stately throne placed underneath the huge beam which broke and fell with a mighty crash on the throne itself three weeks before his death—portent of coming ill, had he but taken it to heart, but Bertulph was too stiff-necked for that, says Walbert. There a crowd of knights and clerks and burghers were daily wont to jostle one another in their quest to pay homage to, or perchance seek favour from, the great man who was all-powerful alike in Church and State. When any one approached whom this proud prelate knew quite well but did not wish to recognise, he made pretence that he had never seen him before. ‘Who is this person?’ he used to ask of one of his attendants, and then, when he had been informed of the name and rank of his would-be interlocutor, if he were in the humour to do so, he would vouchsafe to salute him. And, blurts out Walbert with much feeling and inappositeness, ‘he was very hard on his clergy.’ Walbert was one of them, and he, if any one, should have known.

The canons of Notre Dame would certainly have given their Bertulph the same character.

Hardly had he been installed provost than he sent them all about their business and filled their places with monks. The irregularity of their lives, he alleged, was scandalous. Irregular lives in those days, if we may trust Walter, were far from uncommon alike amongst layfolk and clerics, and that was one reason why men thought so highly of Charles. Amidst so much wood, hay and stubble, Charles appeared pure gold. It is not unlikely then that Bertulph’s accusations were well founded. Radbode, Bishop of Tournai, presumedly thought so, for he had authorised what had been done. Not so Germanus. Immediately on his return to Bruges, he petitioned Bishop Baldwin, who meanwhile had succeeded Radbode in the See of Tournai, to revoke his predecessor’s decision, alleging that the changes at Notre Dame had been made without consulting him, the lawful superior, and in opposition to the wishes of the secular canons, and thereupon the bishop gave orders for their reinstatement.

This was on March 31, 1101. Bertulph was furious and appealed in vain to Rome. By letters, dated April 1102, Pope Pascal II. confirmed Baldwin’s decision, and presently Bertulph’s monks were forced to quit the canons’ cloister. After several peregrinations they at last built themselves a habitation hard-by the Church of Notre Dame in the great oak wood which at that time fringed the left bank of the Roya and stretched far away into the country beyond.

This was the origin of the Abbey of Eeckhout (oak wood) famous in the annals of Bruges.

This abbey was destroyed during the French Revolution, and only the gateway now remains—No. 40 rue Eeckhout. Part of the grounds are included in the gardens of the Convent of St. André in the same street; part in a lovely old kitchen garden and orchard at the back of the houses on the Dyver. As Eeckhout Abbey was associated at its birth with Notre Dame, so was it at its death.