III BY RULE OF WIT

At a dinner-table one evening, a man who was interested in his own children stated a rule by which he made sure that no child of his would disobey him. The rule is infallible. He remarked to his companion:—

"I never give a command to my children."

"What do you do?" he was asked.

"I tell them stories."

That expresses a perfectly intelligible policy: Abdicate, and you will never have a disobedient child. You will also never have an obedient one. The fact that the man who made this statement was an Anarchist explains his theory. He regarded obedience not as a virtue, but as a defect. He was altogether consistent. A disbeliever in government for society, he declined to establish any government for his family. In place of government, however, he at least took pains to establish something else. This was a systematic appeal to the child's imagination.

If one had to choose between government and influence over children through the imagination, there might be some reason for discarding government. As a matter of fact, however, the use of the imagination, so far from being antagonistic to effective government, is indispensable to it. The reason why we parents so often fail in securing obedience, and, what is more important still, in developing in our children the spirit of obedience, is that we are deficient in imagination—or at least that what imagination we have is untrained.

In this faculty in which we are weak, children are strong. A little four-year-old I know, in making letters for his own amusement, frequently attaches arms and legs to them; it is his way of pictorially representing the animation he ascribes to them. Indeed, he sometimes goes so far as to transfer in mind these limbs to the object which the letters spell. Thus, he laboriously prints the letters P-I-G, adds to each letter a lively pair of legs, and exclaims: "See, the pig is running!" Mental processes like that, complicated though it is, are common with children. A child left alone in the nursery with his blocks will find them transformed into trains, steamboats, people, trees, animals, whatever he wills. In this picturesque form imagination may be called fancy; but it has many other phases. Imagination is an element in memory. Ability to recall a sound requires imagination. When, for instance, a child repeats a word he has heard some one use, his imagination has enabled him to summon up the sound of that word. Imagination is an element in emulation. When a child is trying to outdo another, or outdo his own past performances, he has to picture to his mind what he or his competitor has done and what the desirable outcome of the struggle would be. Imagination is an element even in fear and hope. When a child dreads a punishment or eagerly awaits a reward, it is his imagination that gives him the power to anticipate.

Like every other instinct, imagination needs training. We all carry about with us a menagerie of instincts. Some of them have been ill-treated. In what a pitiable shape is the dyspeptic's food instinct! It has died of over-indulgence, and its corpse mocks him at every meal. The instinct of fighting has been given a bad name, and in many a well-conducted menagerie is kept chained; but it has been known to survive the most rigorous repression, and to spring out with most abounding vitality in the midst of a meeting on behalf of peace. We have learned to avoid those people whose instinct of curiosity is not bridle-wise; and we all have recourse at times to those who have nourished, groomed, and trained their play instinct. The fact is, that the process of education consists largely in transforming these instincts of ours, which in their original state are wild and unmanageable, into domesticated and useful habits.