PREFACE.
THE author has no doubt but that many captious readers, upon opening this book, will find it puzzling. They will think that it does not present the subject in an orderly fashion. They would much prefer to have us suggest one month’s study of outlines, and then finish with the subject; then two months’ study of shading, which we would maintain covered the whole ground; and they would wish us to separate with equal positiveness the whole study of drawing into distinct portions. To these criticisms I reply with the following parable:
Mrs. Smith, the mother of a large family, distressed by the bigness of the physician’s bill (or rather by her husband’s complaints of the same), procured at the druggist’s a case of homœopathic medicine, with a booklet directing its dispensation, which would enable her to act as her family physician, and bringing it home perused it with delight, as she found every ailment which her children were heir to extensively described therein—chicken-pox, croup, diphtheria and scarlet fever were alphabetically set down, and their proper remedy clearly named. When she retired she staid awake, almost hoping to hear little Johnny cough or Mary toss in her crib, that she might prove her knowledge of symptomatology, and the efficacy of the drugs.
Alas, a month’s experience brought with it a source of embarrassment which she had not anticipated on procuring her book. True, she had learned it by heart with ease, and knew that for a slight attack of fever one drop of aconite and two of belladonna should be given on alternate days, and that for an incipient attack of croup she should give one drop of aconite every half hour, “which might be administered more frequently if the case showed symptoms of rapid development.” Alas, the difficulty did not arise from any omission in the book directions for applying remedies, but the puzzling point was to distinguish in nature between the symptoms of croup, for instance, and those of an ordinary cold. Was Johnny’s sonorous barking due to a real croupy throat, or was it the natural formation of his vocal organs which gave so ominous a tone to a cough that might be only the result of his wading in the rain barrel the morning before? Was Tommy’s calling for “a wink of water” no less than six times in a night due to a prospective fever, or was it the result of loneliness because he had for the first time been put in the spare room, and wanted his mother’s company? Was little Mary’s restlessness indicative of a coming attack of measles, or the result of her cousin’s having read her, that afternoon, “The Goblins ’ll Get You if You Don’t Watch Out.” These were the puzzling questions; if the physician could only diagnose the case for her, she herself could have administered the proper quota of drops of aconite or belladonna.
The moral is plain. Those books on drawing which say, “Having made correct outlines, begin to shade with an F pencil as follows,” are very easy reading; but an attempt at application soon convinces one that such instruction presupposes an amount of previous eye-training on the part of the student which is not often the endowment of the ordinary man.
CONTENTS.
- PART I.
- CHAPTER I.
- [17] INTRODUCTORY — A KNOWLEDGE OF DESIGNING OF VALUE TO PRINTERS
- CHAPTER II.
- [26] SEEING PROPERLY
- CHAPTER III.
- [32] SILHOUETTES — PERSPECTIVE
- CHAPTER IV.
- [41] POWER OF OUTLINE — SHADED DRAWING
- CHAPTER V.
- [49] GENERAL PRACTICE
- CHAPTER VI.
- [57] CHARACTERISTICS OF OBJECTS
- CHAPTER VII.
- [63] LIGHT AND SHADE
- CHAPTER VIII.
- [73] METHODS — OUTLINE AND SHADED DRAWING — RÉSUMÉ
- CHAPTER IX.
- [82] LINES OF THE FACE
- CHAPTER X.
- [86] BROAD OUTLINE ADAPTED TO PRINTING — LIGHT AND DARK MASSES — FRENCH NAMES — ART SCHOOL METHODS
- CHAPTER XI.
- [101] LINES INTRODUCED BECAUSE THEIR COUNTERPART IS SEEN IN NATURE — FACIAL EXPRESSION
- CHAPTER XII.
- [111] PEN DRAWING FOR MAGAZINE AND NEWSPAPER
- CHAPTER XIII.
- [121] PEN TECHNIC: ITS USE AND ABUSE — CRITICISM OF VARIOUS STYLES
- CHAPTER XIV.
- [132] ILLUSTRATIONS REVIEWED — THE PLANES OF THE FACE
- PART II.
- CHAPTER I.
- [153] INTRODUCTION
- CHAPTER II.
- [163] TASTE
- CHAPTER III.
- [175] MISCELLANEOUS ILLUSTRATIONS — ECONOMY IN PRINTING
- CHAPTER IV.
- [181] LETTERING: THEORY AND PRACTICE
- CHAPTER V.
- [191] SOME STANDARD HISTORIC ALPHABETS STUDIED
- CHAPTER VI.
- [197] EARLY AND MODERN TYPE: ITS APPROPRIATENESS, ITS ORNAMENTATION
- CHAPTER VII.
- [207] ORIGIN AND DEVELOPMENT OF LETTERS
- CHAPTER VIII.
- [211] SUMMARY OF METHOD OF INSTRUCTION — ANALYSIS OF STYLES OF BOOK DECORATION
- CHAPTER IX.
- [223] WOOD ENGRAVING — DIRECTIONS FOR PRACTICE
- CHAPTER X.
- [234] DIRECTIONS FOR EXPERIMENTS WITH ZINC PLATES — COPPERPLATE ENGRAVING — LITHOGRAPHY — CHALK PLATE
- LIST OF ILLUSTRATIONS.
- Aldine Horace:
- [199] Title-page from
- Auriol, Georg:
- Bauernfeind, Michael:
- [189] Alphabet
- Beggarstaff Brothers:
- [219] Poster
- Bergomensis, J. P. F.:
- [193] Title-page
- Bonnard, Pierre:
- Bonnat, Léon:
- Brun, A.:
- [97] At the Café Aphrodite
- Caspari:
- [169] Title-page to Volume II of Jugend
- Chap-Book:
- [227] Illustration, Genuine
- Chaume, Geoffrey de:
- [141] Mask of Béranger
- Crawhall, Joseph:
- [229] Illustration, imitation of Chap-Book
- Dagnan-Bouveret:
- [72] Study of a head
- David d’Angers:
- [137] Medallion
- d’Illzach, Ringel:
- [138] Medallion portrait
- Diagrams:
- Dollman, J. C., R. I.:
- [139] “Hawks Dinna Pike Out Hawks’ Een”
- Donatello:
- [104] Bust of young girl, after
- Don Chisciotte, Caricature from:
- [37] Crispi as Cæsar
- Eaton, Wyatt:
- [116] Portrait of Robert Louis Stevenson
- Engström, Albert:
- [156] Figaro, Illustration from
- Forain:
- French Art Schools Studies, published under the direction of Bargue and Gérôme:
- French Periodical:
- French Periodical:
- Gaillard, C. F.:
- [77] Study for the portrait of Mme. R.
- Gerbault, H.:
- [24] Pen drawing with mechanically stippled background
- [164] Gil Blas—front page from
- Girardet, Jules:
- [36] Pen drawing
- Grasset, Eugene:
- Grellet, F.:
- Guillaume:
- Herkomer, Hubert:
- [51] Study of pine trees
- Holbein:
- [222] Book-cover
- Jugend:
- [169] Title-page from
- Knaus, Ludwig:
- [83] Head of Old Man
- Lansyer, E.:
- [20] The Courtyard of the Sorbonne
- Larousse’s New Dictionary:
- [201] First page from
- L’Artist:
- La-Tour, Fantin:
- [68] Portraits
- Lautrec, H. de T.:
- [212] “Zimmerman and his machine”
- Lefebvre, J.:
- [106] Crayon study of a child
- Leloir, Maurice:
- [147] Pen drawing
- Le Roux, E.:
- [140] On the Banks of the Isole
- Lœwe-Marchand:
- [75] Portrait of M. X.
- Lormier, E.:
- [138] Crayon drawing from Medallion of Alf. Leroux
- Luca della Robbia:
- [109] Bust of Brontolone, after
- Lucas, F. H.:
- [144] Book illustration
- Lucidario:
- [186] Title-page from
- Luque, M.:
- Mantelet, Albert:
- Marchetti:
- Matlay, P.:
- [237] Portrait of Félicien Rops
- Millais, John Everett:
- [45] Pencil sketch
- Minnesinger’s Song Book:
- [183] Page from
- Moloch, B.:
- [31] “Crispi under Hostile Lightning,” a caricature
- Monet, Claude:
- [148] Marine
- Munkacsy, Michael:
- [53] Study for a figure in a painting
- Moullier, Marc:
- [130] Pen drawing for La Plume
- Novel Heading:
- See Pall Mall Budget.
- Pall Mall Budget:
- [168] Heading for novel from
- Pall Mall Gazette:
- [108] Portraits from
- Paris Illustré:
- [145] Illustration from
- Paul, Herman:
- [132] Des Gueules
- Penlick:
- [221] Nos Soldats
- Pomeroy, F. W.:
- [178] Burns’ statue
- Renard, E.:
- [114] The Grandmother
- Ricketts, Charles:
- [185] Page from Nimphidia
- Rivoire:
- [176] Cover design
- Robert, Carl:
- [137] Portrait of Hahnemann from medallion by David d’Angers
- Rogel, Hans:
- [189] Alphabet
- Sickert, Walter:
- Silhouette, an old-fashioned:
- [153] Goethe’s Mother
- St. Elme:
- [124] Pen drawing from a French journal
- Stimmer, Chr.:
- [189] Alphabet
- Strange’s Book on Lettering:
- [195] Examples of Seventh Century Lettering, from
- Stuck, Franz:
- T., E. G.:
- Tid-Bits:
- Toussaint, T.:
- [89] The late Duc d’Aumale
- Vallet, L.:
- [128] News drawing from French periodical
- Vallotton, F.:
- Verdyen:
- [93] A fête at Brussels
- Vierge, Daniel:
- [122] Illustration to Pablo de Segovie
- Westminster Budget:
- [157] Cover design, from
- Wood cut:
- [226] The Standard-bearer of Schafhausen
- Aldine Horace: