INITIAL LETTER BY MARCHETTI. Pen drawing from Paris Illustré.

study of pen tech­nic is help­ful to the prin­ter-de­signer. I use the ad­jec­tive “ju­di­cious” be­cause I need a word be­gin­ning with J for our in­i­tial let­ter. What I mean is, that just so far as the prin­ter stu­dies draw­ing, he may study pen tech­nic, but he must not ex­pect to pro­gress fur­ther in the lat­ter than he has pro­gressed in the for­mer; so while this chap­ter will be ex­cee­ding­ly help­ful to the read­er who has fol­lowed the pre­vious ones, it will only lead to fail­ure

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ILLUSTRATION TO PABLO DE SEGOVIE. Pen drawing by Daniel Vierge, one of the most celebrated of modern pen-draftsmen. If you will scrutinize this drawing under a magnifying glass you can examine this technic with more ease than with the naked eye. [see larger]

{123} if the reader does not follow our advice in regard to training the eyes to see as well as in regard to pen technic.

We said in our last chapter that the parallel lines in the background of “The Grandmother,” by Renard, showed the foundation of pen drawing. The same is

Illustration (pen drawing);
chapter heading, but without
initial letter, by Marchetti.
From Paris Illustré.