Except for the oak panelling, which covered the walls of this room as late as the beginning of this century, but which was removed now many years ago, we see it exactly as it was finished for Queen Mary. Her initial, with that of her husband, King William, appears in the fine carved oak cornice. The ceiling is coved.
At one time this room was called “The Admiral’s Gallery,” on account of the series of copies of portraits of British Admirals by Kneller and Dahl, which formerly hung here—until their removal in 1835 to Hampton Court, whence they have now been brought back to decorate again the walls of these state rooms at Kensington. They are now hung, as we shall see, in “The King’s Gallery.”
The dimensions of this room are: 25 feet long by 17 feet 10 inches wide, by 12 feet 7 inches high to the top of the cornice, 15 feet 8 inches to the highest part of the ceiling.
Pictures in Queen Mary’s Privy Chamber.
50 Queen Mary, when Princess of Orange (23). . . . . W. Wissing.
Seated, nearly full length. She is dressed in blue in the costume of a lady of the time, and with a crimson mantle edged with ermine. Her left hand rests on a table, over which her mantle falls. Engraved by John Verkolje.
This picture is signed on the left-hand side, and is the original of many replicas or copies at St. James’s Palace, at Burley-on-the-Hill, Woburn, The Grove, etc. It was painted for James II., who sent Wissing over to the Hague for the purpose. His popularity as a portrait-painter was great, and was partly due no doubt to his making such flattering likenesses. “When any lady came to sit to him whose complexion was any ways pale, he would commonly take her by the hand and dance her about the room till she became warmer.”
51 William III. when Prince of Orange . . . . . W. Wissing.
Three-quarters length, standing; facing to the right, in a rich dress. This is the companion piece to the foregoing.