This appears to be the study for, or a replica of, the head of Sheridan in the picture of the Interior of the old House of Commons in 1793, painted by Karl Anton Hickel, and now in the National Portrait Gallery.
95 Portrait of Spencer Perceval (890). . . . . Joseph.
Half-length, turned to the left. In his left hand he holds a paper. He wears a blue coat and a white waistcoat. His face is shaven, his hair grey, and his head bald in front. On canvas, 2½ ft. high, by 2 ft. wide.
Behind is written:—“Received from Mrs. Joseph, 18th June, 1814.”
This is a posthumous likeness, taken from a mask after death, but considered by all who knew him to be a faithful resemblance. When Queen Charlotte went to see it, and the curtain which covered it was withdrawn, she was so struck with its truth, that she burst into tears. Many copies with slight variations were executed; one of them is now in the National Portrait Gallery. It is engraved in mezzotint by Turner. It is a fair specimen of George Francis Joseph, an indifferent artist, who was elected an associate of the Royal Academy after painting this portrait. He died in 1846.
Perceval, who became Prime Minister in October, 1809, was assassinated in the lobby of the House of Commons by Bellingham, on May 11th, 1812. The official documents he holds in his hand remind us that his state papers were not at all to the taste of the Prince Regent, who remarked, “that it was a great misfortune to Mr. Perceval to write in a style which would disgrace a respectable washerwoman.”
96 Mary Granville, Mrs. Delany (944). . . . . Opie.
Bust, turned to the left. She is dressed in a black silk dress, trimmed with lace, and having a hood over her white widow’s cap. Round her neck is a locket. On canvas, 2 ft. 6 in. high.
This portrait represents her as a very old woman, and was probably painted not many years before her death, in 1788, at the age of eighty-eight. She was the eldest daughter of Bernard Granville, grandson of Sir Bevil Granville, the Royalist leader, and was born in 1700. She was educated under the care of her uncle, Lord Lansdowne, and married in 1717 Alexander Pendarves. She was intimate with Swift, through whom she became acquainted with her second husband, Dr. Delany. After his death she spent most of her time with her friend, the Duchess of Portland, and when she died, George III., who, with the Queen, became very intimate with the old lady, gave her a pension and a house at Windsor. She occupied her declining years in copying flowers in paper, and executed as many as 980. She died in 1788. Her autobiography was published in 1861; it contains a great many reminiscences of the court and family of George III.
This picture first brought Opie into notice. A replica painted for the Countess of Bute is in the National Portrait Gallery.