Almost at once, after this gallery was finished by Wren, it became the receptacle of some of the finest works of art in the Royal collection. Among the manuscripts in the British Museum is the original list of William III.’s pictures, placed “in Kensington House, 1697”—some seventy pieces being mentioned as then hanging on its walls.
It was in the year following that Peter the Great was in England; when, besides his private interview with the King, mentioned above, he was a spectator at a ball given in this same gallery on the birthday of Princess Anne, not publicly, however, but peeping through one of the doors, in a closet prepared for him on purpose.
In this room, King William, in the month of March, 1702, after his accident, and a few days before his death, “took several turns” to exercise himself; but soon becoming fatigued, he reclined upon a couch and fell asleep, “but soon to awake in a shivering fit, which was the beginning of a fever, attended with serious symptoms, from which he never recovered.”
Painting of the Ceiling and Wainscot of the King’s Gallery.
THIS gallery was also a favourite sitting-room of Queen Anne and her husband, and of George I. It was by command of the latter monarch that Kent, about the year 1724, undertook the painting of the ceiling, his charge for which, with similar work in “the little closets,” amounted to £850. Although the richness of the colouring and gilding give it a gorgeous appearance, neither the design nor the ornaments, least of all the panels, painted with mythological subjects, are interesting. It is divided into seven compartments, surrounded by elaborate classic scroll and arabesque work, and allegorical figures. The centre medallion is oval, the other six oblong or lozenge shaped. The officers of Works in their Report, dated 30th of September, 1725, to the “Lords Commissioners of His Majesty’s Treasury,” on this work, added:
“We have caused an estimate to be made of the charge of painting the wainscot of the sd. Gallery and little closets in the same manner as the Bedchamber and closets are already painted, amounting to £32: 16:
Gilding the same—£154: 4:
Providing Scaffolds for the Painters and covering the floors with Boards to prevent their being damaged, etc., £233: 3:”
They further added:
“We crave leave to lay before your Lordships a letter that we have received from Sir James Thornhill, Serjt Painter to his Majesty, in which he complains that the gilding of the cornishes, which hath hitherto been done by himself, and his predecessors, is by my Lord Chamberlain’s Letter directed to be done by another person, which letter we have hereunto annexed.”