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When he has joy to express, he does so by means of the same ascending, bubbling phrases that he uses in the duet between Tannhäuser and Elisabeth (vocal score, p. 157, &c.) [397]—
No. 3.
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LORA: Dahin, dahin flieht alles Leiden, und alle
ARINDAL: So viele Not im Heimatlande, &c.
MORALD: Dahin, dahin flieht alles Leiden,
And although the duet between Drolla and her lover Gernot is subcomic in intention, their manner of rushing into each other's arms is precisely that of Tristan and Isolde—
No. 4.