or in the motive of "Magic deceit"—

No. 28.

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while others make their effect by means of the utmost concentration of melodic meaning, like the "Blood-brotherhood" motive, or by an epigrammatic condensation of rhythm, like the "Oath of fidelity" motive, which only Wagner could have invented, and which no other composer but Beethoven would have dared to use if it had been offered to him—

No. 29.

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Bruckmann