After a second's consideration, Antonio promised. And when a quarter of an hour later he said his farewells at the farm-gate he added softly, in young Crowberry's ear:
"Till to-morrow night ... among the azulejos."
V
"The gentlemen are all down at the other buildings," said the English maid-servant who opened the guest-house door to Antonio. "I think they said they would be in the chapel. Miss Kaye-Templeman is in, and Mrs. Baxter."
The monk hesitated. After a single meeting, would it be correct to ask for Sir Percy's daughter instead of finding Sir Percy himself? He was not sure. Yet his dread and loathing of what the Englishman might be doing in the chapel held him back from following. Antonio knew his limitations. After all, he was still flesh and blood, and he could not be sure of mastering his wrath in the presence of a sacrilegious despoiler.
"You may tell Miss Kaye-Templeman that Mr. Oliveira da Rocha is here," he said.
After he had repeated his name twice, the maid led him into the tiny ante-chamber. Antonio saw that the engraved portrait of Saint Benedict had been taken down. It was leaning in a corner, face to the wall; and, in its stead, hung a small oil-painting of two horses and a stable-boy, in the manner of Morland. The large crucifix had been removed from the place of honor; but its shape could still be seen, like the shadow of a dim cross on the white wall.
"Mr. Oliver Kosher," mumbled the maid to somebody in the principal room.
As Antonio passed through the inner door he saw that Isabel was alone. She rose and came forward with such complete control of her blue eyes that the monk had a momentary fear of not being wanted. But there was warmth in her voice and a welcome in her smile. When she caught sight of the gaudy bowl in her visitor's hand she gave a little cry of unaffected joy.