"At what hours will my visits be least unacceptable to the Senhoras?"
"Come up this afternoon," cried Mr. Crowberry, emphatically. "It'll be to-day they'll feel loneliest, when all we noisy nuisances are gone. To-day and to-morrow."
"But you need sleep?" said Antonio to Isabel. He intended to express no more than his genuine solicitude; but his soft eyes met hers with another glance of unconscious tenderness. She colored so noticeably that he made haste to add: "So I will not come until four o'clock."
Standing on tiptoe beside the chariot Isabel gave her father a single kiss. It was plain that such outward marks of affection were not often exchanged between them, and that the public giving and taking of this one kiss meant more than a thousand kisses between less reserved beings. Even young Crowberry seemed to notice it, as though he had eyes in his back; for he cracked a whip, and the chariot lurched on its way.
At four o'clock Antonio found Mrs. Baxter waiting in state to receive him. Although the light blue silk dress into which she had packed herself for the occasion made the Excellent Creature look almost as broad as long, she was not a wholly unpleasing body. Her hair, primly parted in the middle, and drawn tightly over her temples, was still glossy and black. Her insistent smile showed white and regular teeth, and the color in her cheeks gave her a buxom and wholesome look in odd contrast with her hypochondriac complaints. She wore a very large oval brooch containing a lock of hair which, presumably, had pertained to the lamented Baxter; also gold ear-rings and a fine gold chain.
It soon became evident that Mr. Crowberry had been descanting upon Antonio's importance; for Mrs. Baxter was determined to convince the visitor of her own past greatness. She monopolized the conversation. Beginning with an account of a happy girlhood spent amidst every luxury in a part of England unnamed, she went on to speak of her rashly romantic marriage with the dashing ne'er-do-well Baxter; or her universally-envied beauty as a bride; of her tearing her veil in church, and of her coming out in a gust of rain to find a black cat sitting on the vicar's first wife's gravestone—three infallible portents of evil. Next, of the handsome, but unpractical, Baxter's prompt and inconsiderate demise; of the un-Christian obduracy of her flint-hearted father, who would neither forgive nor finance his headstrong offspring; and of the entirely diabolical behavior of the surviving Baxters.
Up to this point Isabel had sat bending over some embroidery, with an air of finding all such work distasteful; but when the Excellent Creature began putting the finishing touches to her character-sketch of the late Miss Caroline Sophia Baxter, she got up unostentatiously and went softly to the window. Mrs. Baxter did not mind, but proceeded to praise the admirable Providence which had suddenly thrown her into the path of dear Lady Kaye-Templeman. A hundred details followed, and Antonio's eye began to rove. Nor did it rove vainly; for when Mrs. Baxter explained how she and dear Lady Kaye-Templeman had grown to be practically two sisters, the monk saw the slender girl in the window tap the floor impatiently with her small foot.
"Of course, I was with her at the end," said Mrs. Baxter, mopping away tears. "How could I have been anywhere else? Her last thoughts were of her darling child. 'Clara,' she said to me, 'promise me that you will never desert my Isabel.'"
The small foot tapped more sharply.
"And I never have deserted her," concluded the Excellent Creature, "although families of the highest quality and the first respectability have sought to induce me, by the most tempting offers, to enter their establishments. No, Signor, I've never deserted poor Isabel, and, until she is dead or married, I never will."