"How do you know they wouldn't?" she asked.
"I found out by trying—twice."
I heard a sudden angry creak in the battered old chair in which Sue was sitting.
"So my little girl Lucy and I," the embittered voice went on, "go to hotels that don't ask many questions. We pass the time going to parks or museums—or now and then to a concert—where I try to give her a taste for good music."
"Do you find time to keep up your music?" I asked.
"There's time enough," came the quick reply. "You see as a rule I'm just waiting around. One night in Pittsburgh it was my birthday, and as the Grand Opera was there for a week and I had never been to one, I got Mr. Marsh to take me. We made it a regular celebration, with dinner in a first-class restaurant just for once. But my husband is generally watched, and the papers all took it up the next day. 'Marsh and wife dine and see opera after his speech to starving strikers,' or similar words to that effect."
"Do you see anything of the strikers?" I asked.
"Not much," she replied. "We used to be invited to go to parties at their homes. But most of them, even the leaders, were Irish, Germans, Italians or Jews whose wives could barely speak English. I found them not very pleasant affairs. Some of the wives drank a good deal of beer and most of them had very little to say. Strike dances were no better. The wives as a rule sat with their children around the walls—while a lot of young factory girls, Jewesses for the most part, danced turkey trots around the hall."
"There were speeches, I suppose?" Sue put in impatiently.
"Yes—Mr. Marsh and others made speeches between dances. They weren't the kind of affairs I'd been used to in our home town," said Mrs. Marsh. "I've lost track of the folks at home. I never write and they don't write me. Only once when my mother knew where I was she sent me a box at Christmas. Lucy and I got quite excited over that box, it was all the presents we'd had from outside in quite a line of Christmases. So we thought we'd celebrate."