"You haven't! If you want to know what you've done I can tell you. You've painted up this life of yours—and all these things you believe in—with power enough and smash enough to knock holes through all I believe in myself. And I'm stronger than Sue—you've done more to her. What I ask of you now is to drop all the fire and punch of your dreams, and line out the cold facts of your life on its personal side—what it's going to be. I'll help draw it out by asking you questions."
"What's the use of that? I know it won't change her!"
"Maybe it won't. But if it won't, at least it'll make my father give up. Can't you see? If you and I together—I asking and you answering—paint your life the way it's to be, and she says, 'Good, that's what I want'—he'll feel she's so far away from him then that he'll throw up his hands and let her go. He can rest then, we can help him then—Eleanore and I can—it may save the last years of his life. And Sue will be free to come to you."
"You mean the more ugly we make it the better."
"Just that. Let's end this one way or the other."
"All right. I agree to that."
When Joe and I came into the library my father rose slowly from his chair and the two stood looking at one another. And by some curious mental process two memories flashed into my mind. One was of the towering sails that my father had told me he had seen on his first day on the harbor, when coming here a crude boy from the inland he had thrilled to the vision of owning such ships with crews to whom his word should be law, and of sending them over the ocean world. Such was the age he had lived in. The other was of the stokers down in the bottom of the ship, and Joe's tired frowning face as he said, "Yes, they look like a lot of bums—and they feed all the fires at sea." What was there in common between these two? To each age a harbor of its own.
"Well, young man, what have you to say to me?"
"Nothing."