"Haakon is dead! Haakon is dead!
Haakon of the bronze-hilt sword is dead.
His son's in his stead;
Aymal, tall son of Haakon,
Swings now the bronze-hilt sword of his father.
He is gone to the High-fielden
To the high pasture to possess the twelve mares of his father;
Black and bay and yellow, as the herdsman drave them past him;
Black and yellow, their manes on the wind;
And galloped a colt by the side of each."
So he sang in a chant the saga-singer's tale of the king killing all the colts save one that it might have the nursing of the twelve. His eye sparkled and glowed; his colour mounted; his soul was so stirred with the story that his spirit could fill the gaps where his memory failed. The sense of power was on him; he told the swinging tale as though it were in verity his own; and the hearers gazed intensely, feeling that he sang of himself. It was no acting, but a king proclaiming himself a king, when he told of the world won by the bronze sword bearer mounted on the twelve-times-nourished stallion colt; and he finished with a royal gesture and injunction:
"Ho! ye, ye seven tall sons of Aymal,
Comes there a time when face you many trails;
Hear this for wisdom now;
Twelve colts had I and all save one I slew.
The twelve-times-nourished charger grew
And round the world he bore me
And never failed; so all the world was mine
And all the world I ruled.
Ho, children of the bronze-hilt sword,
Take this for guiding creed:
Pick out your one great steed
And slay the rest and ride."
And when he smote the table with his fist the folk in that poor, simple hall were hushed with awe. They had no words to clothe the thoughts that came, no experience of their own to match them. There was a pauses—a silence; a slow, uncertain sounding of applause. Carson glared half hypnotized; then said to himself: "This is not Jim Hartigan; this is the royal saga who sang."
What he clearly expressed, the others vaguely but deeply felt. As for Belle, the passion and the power of it possessed her. She was deeply moved—and puzzled, too. It was a side of Jim she had not known before. Later, as they went home together hand on arm, she held on to him very tightly and said softly: "Now I know that you are marked for big things in the world."
CHAPTER XXXIV
Springtime
Have you seen the springtime dawn on the Black Hills? No? Then you have never seen a real spring.
For long, dark, silent months the land has lain under a broad white robe, the plains are levelled, hidden, and the whiteness of the high spaces sweeps down to meet, on the lower hills, the sudden blackness of the forest pine. And now you know why these are named Black Hills. Full four white moons have waned; the blizzard wind has hissed and stung, till the house-bound wonder if the days of spring will ever come. In March, when the northward-heading crows appear, the sting-wind weakens, halts; the sweet south wind springs up, the snow-robe of the plains turns yellow here and there as the grass comes through, then lo! comes forth a world of crocus bloom. The white robe shrivels fast now, the brown pursues it up the mountain side till at the last there is nothing left but a high-up snow-cap hiding beneath the pines, slowly dissolving in a million crystal rills to swell the rolling Cheyenne far below. The spring birds fill the air, the little ones that twitter as they pass, and the great gold-breasted prairie lark that sings and sings: "The Spring, the Spring, the glory of the Spring!" Then all the world is glad, and stronger than the soft new wind, deeper than the impulse of awakening flower bulbs, broader than the brightening tinge of green—is the thrill of a world-wide, sky-wide joy and power, the exquisite tenderness and yearning which if you know, you know; and if you do not know it none can make you understand.