Raften had thrashed more than one neighbour for beating a horse, and once, on interfering, was himself thrashed, for he had the ill-luck to happen on a prizefighter. But that had no lasting effect on him. He continued to champion the dumb brute in his own brutal way.
[110] Among the neighbours the perquisites of the boys were the calfskins. The cows' milk was needed and the calves of little value, so usually they were killed when too young for food. The boys did the killing, making more or less sport of it, and the skins, worth fifty cents apiece green and twenty-five cents dry, at the tannery, were their proper pay. Raften never allowed his son to kill the calves. "Oi can't kill a poor innocent calf mesilf an' I won't hev me boy doin' it," he said. Thus Sam was done out of a perquisite, and did not forget the grievance.
Mrs. Raften was a fine woman, a splendid manager, loving her home and her family, her husband's loyal and ablest supporter, although she thought that William was sometimes a "leetle hard" on the boys. They had had a large family, but most of the children had died. Those remaining were Sam, aged fifteen, and Minnie, aged three.
Yan's duties were fixed at once. The poultry and half the pigs and cows were to be his charge. He must also help Sam with various other chores.
There was plenty to do and clear rules about doing it. But there was also time nearly every day for other things more in the line of his tastes; for even if he were hard on the boys in work hours, Raften saw to it that when they did play they should have a good time. His roughness and force made Yan afraid of him, and as it was Raften's way to say nothing until his mind was fully made up, and then say it "strong," Yan was left in doubt as to whether or not he was giving satisfaction.
[II]
Sam
Sam Raften turned out to be more congenial than he looked. His slow, drawling speech had given a wrong impression of stupidity, and, after a formal showing of the house under Mr. Raften, a real investigation was headed by Sam. "This yer's the paaar-le-r," said he, unlocking a sort of dark cellar aboveground and groping to open what afterward proved to be a dead, buried and almost forgotten window. In Sanger settlement the farmhouse parlour is not a room; it is an institution. It is kept closed all the week except when the minister calls, and the one at Raften's was the pure type. Its furniture consisted of six painted chairs (fifty cents each), two rockers ($1.49), one melodeon (thirty-two bushels of wheat—the agent asked forty), a sideboard made at home of the case the melodeon came in, one rag carpet woofed at home and warped and woven in exchange for wool, one center-table varnished (!) ($9.00 cash, $11.00 catalogue). On the center-table was one tintype album, a Bible, and some large books for company use. Though dusted once a week, they were never moved, and it was years later before they were found to have settled permanently into the varnish of the table. In [112] extremely uncostly frames on the wall were the coffin-plates of the departed members of the family. It was the custom at Sanger to honour the dead by bringing back from the funeral the name-plate and framing it on a black background with some supposed appropriate scripture text.
The general atmosphere of the room was dusty and religious as it was never opened except on Sundays or when the parson called, which instituted a sort of temporary Sunday, and the two small windows were kept shut and plugged as well as muffled always, with green paper blinds and cotton hangings. It was a thing apart from the rest of the house—a sort of family ghost-room: a chamber of horrors, seen but once a week.