[Fig. 133].

TOP-PLAYER: FROM A WHITE-GROUND KYLIX WITH THE SIGNATURE OF THE POTTER HEGESIBULOS.

PLATE LXXXI.

[Fig. 134]. ACHILLES KILLS PENTHESILEIA: INTERIOR OF A RED-FIGURED KYLIX.

From Furtwängler-Reichhold, Griechische Vasenmalerei.

the kylikes of Berlin and Athens on white ground, but he heightens the red-figured technique by the application of thinned black glaze, by dull red and light grey surfaces, with brown and white additions, and by applications of gold. The four figures which are forced into this circle almost burst the frame, not merely by the disproportion of their tall forms, but still more by their inner greatness and passion. In the midst of the battle-field, where the sword rages, and the ground lies full of corpses, Achilles has overtaken the Amazon queen, and furious with rage, plunges his sword in her heart: however much her hands and eyes plead for mercy, it is too late.