Through its power to bind flowing action into solid form, the life-ether is related to the sound-ether in the same way as the articulated word formed by human speaking is related to the mere musical tone. The latter by itself is as it were fluid. In human speech this fluidity is represented by the vowels. With a language consisting only of vowels man would be able to express feelings, but not thoughts. To let the word as carrier of thought arise out of sound, human speech possesses the consonants, which represent the solid element in it.
The emergence of the sense-bearing word from the merely ringing sound is an exact counterpart to what takes place in nature when the play of organic liquids, regulated by the chemical ether, is caused by the life-ether to solidify into outwardly perceptible form. By reading in this way the special function of the life-ether among the other three, we are led to the term ' Word-ether' as an appropriate second name for it, corresponding to the term sound-ether for the chemical ether.
*
Thus Levity presents itself to us as being engaged in the fourfold activity of Chaoticizing, Weaving, Sounding and, lastly, Speaking the form-creative Cosmic Word into the realm of Gravity.
1 To avoid misunderstandings, it should be emphasized that spiritual Imagination is not attained by any exercise involving directly the sense of sight and its organ, the eye, but by purely mental exercises designed to increase the 'seeing' faculty of the mind.
2 Indeed, it is a misunderstanding of the whole meaning of Anthroposophy when its contents are quoted - as they sometimes are even by adherents - in such a way as to suggest that by their help a better 'explanation' may be gained of matters for which there is otherwise no, or at least no satisfactory, explanation. The question: 'How does Anthroposophy explain this or that?' is quite wrongly put. We ought rather to ask: 'How does Anthroposophy help us to read more clearly this or that otherwise enigmatical chapter of the script of existence?'
3 See Space and the Light of Creation, by G. Adams, where this 'weaving' is shown with the help of projective geometry.
4 Translation by J. Darrell.
5 We may recall here also the passage from Ruskin's The Queen of the Air, quoted earlier, p. 118).
6 That the ether, apart from being supersensibly seen, is also heard, was empirically known to Goethe. See the opening words of the 'Prologue in Heaven" (Faust, I) and the call of the Spirit of the Elements in the first scene of the Second Part of the drama, which follow upon the stage direction: 'The sun announces his approach with overwhelming noise.'