Here then, as is frequently the case in this Manuscript, all the twenty days are specified. But in order to obtain equal periods of time, the left column should first be read from top to bottom and the following ones should be treated in the same way. Then each succeeding day is 17 days distant from the preceding, but in reality the interval is 117 days, since the same week-day is always implied. The hieroglyphs seem to indicate that these 117 days are divided into three distinct parts, 52, 39 and 26.

117 days, however, are equal to 9 × 13 and hence in what follows we find a black 13 set down 9 times as the interval between the days, and a red XI being the number of the week-day an equal number of times. Now, since the whole series extends over 20 such sections of 117 days, the duration of this calendar is 2340 days or 9 Tonalamatl.

Consequently we find nine pictures of the same god B. In five of them (in Groups 1-4 and 9) he is sitting before or on a sacrificial tree or tree of life; cf. 30b. It is probably not accidental that in these five cases the hieroglyphs refer to the cardinal points. In the eighth group the god is surrounded by the suggestion of one or more trees; he is sitting in water as if in a forest; or in a cave bordered by trees? In the remaining groups, 5, 6 and 7 he is seated on various supports, in 5 on an object, which is not completed and which cannot, therefore, be explained, in 6 on astronomical figures (Mars and Venus?) and in 7 on agave leaves. In 1 and 3 his head is again surrounded by those dots suggesting stars, in 4 there seems to be a bird (quetzal?) seated upon it and in 2 it bears what may be the Kin sign. In 1 and 5 he has the pouch for incense in his hand, while in 3 alone he wears the gala mantle and is painted black, just as he appears in connection with the same hieroglyphs on page 29c. He carries a hatchet in repose in 2, 6 and 9, and raised for a blow in 1 and 7. In 7 he also holds the Imix sign.

The hieroglyphs form nine groups of four signs each. The first hieroglyph, as is always the case in this part of the Manuscript, is the sign which I have denoted by f, and the second is always B's hieroglyph. The cardinal points are everywhere specified by two signs each; in places 3 and 4 of group 1, the

west comes first and beside it is the sign for the east, erroneously used for that of the west (a like error occurred in the preceding Tonalamatl); in group 2 there are two signs for the north; in group 3 that for the east with the sign for the west beside it erroneously given for the east, and in group 4 two signs for the south. In groups 5, 6 and 7 we find in the 4th place the head of C, and the same sign in group 7 in the 3d place, where it is joined to another head, which may be that of a woman. The 3d sign of group 5 is incomplete and cannot be determined. The 3d sign of group 6 displays a repetition of the astronomical signs represented below. There still remain the 3d and 4th signs of groups 8 and 9. Of these the 3d in group 8 is w, which is as yet unexplained. The 4th might be interpreted either as Oc (day 7) or as Xul (end). Its prefix is a Yax sign. Finally, in group 9 the 3d sign is Manik (day 4), the 4th the elongated head q with the Ben-Ik superfix, which Seler assigns to Men (day 12).

Pages 33c—39c.

The beginning of this Tonalamatl is indicated by a large red dot on page 33. It resembles the Tonalamatl almost exactly above it on pages 31b-35b, inasmuch as its arrangement is an unusual one. I will here, as I did above, give it the form in which it would present itself if it were set down in the usual order:—

XIII 9 IX 11 VII 20 I 10 XI 15 XIII
Ahau
Chicchan
Oc
Men.

In this passage as in the earlier one, instead of employing the above concise order, a preference has been shown throughout for carrying out the whole series in such a manner that the week days are set down each time and not merely in the left column. It, therefore, has the following form in the Manuscript:—