XIII Akbal (17) IV Ahau (8) XII Lamat (8) VII Cib (8) II Kan (8) X Eb (8) V Ahau (8)
XIII Lamat (17) IV Chicchan (8) XII Ben (8) VII Imix (8) II Muluc (8) X Caban (8) V Chicchan (8)
XIII Ben (17) IV Oc (8) XII Ezanab (8) VII Cimi (8) II Ix (8) X Ik (8) V Oc (8)
XIII Ezanab (17) IV Men (8) XII Akbal (8) VII Chuen (8) II Cauac (8) X Manik (8) V Men (8)

Thus the days Chicchan, Lamat, Oc, Ben, Men, Ezanab, Ahau, and Akbal are repeated here twice, and the others occur but once. The 4 (17 + 48) strongly recalls the 4 (19 + 46) on pages 31b-35b. The repetition of six times eight days in each quarter of the Tonalamatl is closely connected with the fact that there are six Chuen signs on each page, two of which, however, are omitted on page 44. From this it follows, as we have already found on pages 25-28, that Chuen really denotes 8 days and that the count of the days in the "Dresdensis" begins with Kan. But the numbers 12, 15, 16 and 17 are entirely unexplained. They show no recognizable order and always stand near the bundle of Chuen signs. They recall the numbers on pages 25-28, which are equally irregular and unintelligible, and upon which, it is probable, light will break at the same time as it does upon these now under consideration.

We come now to the purport of this passage, which seems to be a further amplification of the contents of pages 29c-30c. The meaning is simply as follows:—every 65 days the god B discards a cardinal point and the deity presiding over it and installs another.

From this point of view let us now examine the four pictures.

1. Page 42. B is represented here as a warrior with the front of his body painted red. He is aiming a blow with his hatchet at a person sunk down before him, who, from the ornament above his head, seems to be the grain-deity E, the ruler of Kan and of the east, although the contents of this passage really demand a deity of the south, a ruler of Cauac. In a very similar way on page 27, E occurs with the completed Cauac years, instead of with the Kan years just beginning. Behind B's head is the sign of the discarded cardinal point, the south, while below it is a vessel with food, clearly a piece of venison with Kan.

2. Page 43 deals not with the removal of the old cardinal point, but with the introduction of the new one. Here B is rowing in a boat, as in other passages (29c), and Muluc, the north, has certainly a close relation to water. We see here two kinds of food, while none is represented on page 45. The same bird's head, which we find at the bottom of the corresponding page 28, is placed in front of the canoe, and on 29c it is combined with the representation of rowing a boat. On the left is the picture of a vessel with Kan and the iguana. There is something resembling a net between the boat and the bird.

3. Page 44 likewise refers to the introduction of the new cardinal point, west, which is represented on page 26 by the tiger Ix. The two hieroglyphs in the middle of this passage must surely refer to an animal; the lower is the skeleton of an animal, which we so often find as the sign of the lightning-dog, but also as that of the month Kankin, and the upper I take to be a rather vague picture of the day Oc, which certainly denotes the dog. Below these two signs the fish is represented as the fourth species of animal food.

The picture belonging to these hieroglyphs is very remarkable. B stands opposite a seated personage wearing an animal's snout, which somewhat resembles that of the wind-beast on pages 44b and 45b and also the nose of the storm-god K, who occurs on the corresponding pages 25 and 26 both with the coming and the departing Ix years, as he does here with the coming years. In the picture before us, the two personages seem to be throwing something resembling a rope at each other, as if these ropes were to be tied together. Is this meant to suggest the casting of lots by means of the knotting of cords, as it is represented on page 2? Or of hunting with snares?