There still remain as the 11th and 15th signs, the elongated head q with the Ben-Ik superfix belonging to C and with another superfix belonging to F (with which he likewise appeared as sign 4 in the preceding Tonalamatl). The 12th sign (v), which occurs in exactly the same place in the preceding Tonalamatl, is no more intelligible to me here than there.
Pages 6c—7c.
| I | 17 | V | 19 | XI | 6 | IV | 10 | I |
| Chuen | ||||||||
| Akbal | ||||||||
| Men | ||||||||
| Manik | ||||||||
| Cauac. | ||||||||
Four sitting gods with the regular 16 hieroglyphs. There is no collective sign, however, among these. It seems exactly as if the intention had been to represent the different offerings usually presented to the various deities. At all events the sacrifices are designated by hieroglyphs 1, 5, 9 and 13, and the same objects are also held in the hands of the four gods respectively, although they are clearly recognizable only in the case of the second and third gods.
Now what are these four different sacrificial gifts?
The principal part of the first looks like the sign of the month Mol. In excellent agreement with its appearance is the fact, that this word signifies egg in the Quecchi language. The god receiving the sacrifice here is A. Hieroglyph 2 is his monogram and 3 is that of his companion F and 4 fits both deities.
The second figure is D and his signs are hieroglyphs 6 and 7 to which 8 is added quite superfluously. The sacrifice proper is denoted by 5, which, I think, is a sign of multiplicity and which was originally the fin of a fish. In the manuscripts and
inscriptions, when this sign is added to the sign for 360 days, it enhances the value to 20 × 360 = 7200 days.
The third picture represents the god with the bird-head of the Moan and his signs are hieroglyphs 10, 11 and 12. One of these, signifying rising birds, is also the offering in 9.
Lastly, the fourth picture is, according to Schellhas, the serpent deity H, and, according to Seler, the "young god," with the snail on his head. His sign is hieroglyph 14. Added to this is the sign a in 15, and in 16 it is q again with the same superfix as in sign 15 of the preceding Tonalamatl. The sacrifice in 13 is represented by a Kan sign, which is equivalent to maize, maize bread or tortilla.