4. E with the signs 14 and 15, having on his head a structure, which is compounded apparently of a Kan sign, a snail and the suggestion of the maize plant.
5. G, clad in the gala cloak and the copal bag. His sign is 18, while 19 suggests rather the Moan or K.
6. B, his headdress displays the little circles, which often occur in connection with him, e.g., pages 30c, 40a and 41a, and which may suggest the starry sky. His sign is 22; the hieroglyph m is added to it in 23 as a determinative.
As usual, the fourth sign of each group is the most puzzling. 4 and 12 are Imix with the uplifted arm as a prefix, as on page 13a, 8 is the hieroglyph o, 16 is a, 20 is c and the principal part of 24 is r. This sign r seems to me to suggest the week of 13 days (see above the explanation of page 4a); four weeks of this kind end here.
It is to be noted further that all the six gods are holding one hand outstretched:—A downward, B upward and the four in the centre forward.
Page 12c.
| XIII | 26 | XIII | 26 | XIII | 13 | XIII |
| Chuen | ||||||
| Cib | ||||||
| Imix | ||||||
| Cimi | ||||||
| Chuen. | ||||||
This is another Tonalamatl divided into 4 × 65, the subdivisions being transferred to the end of the second, fourth and fifth weeks. The Chuen at the bottom is superfluous.
The twelve hieroglyphs standing here according to rule are grouped together in fours by the three pairs of the first row. Of these 1, 5 and 9 are the fist, familiar from the inscriptions, and which we also see on page 10b of this manuscript, where, to be sure, it occurs with the sign of B, as often happens, but here it has the closed eye of the death-god A. On the other hand, 2, 6 and 10 are the sign Kin = sun, with merely a dotted outline, and the three gods pictured below all hold the same Kin sign in their hands. This passage, may refer to the dying sun, the winter solstice.