The hieroglyphs belonging to these pictures are distributed among the four sections as follows:—
| 1 | 2 | 5 | 6 | 9 | 10 | 11 | 15 | 16 | 17 | |
| 3 | 4 | 7 | 8 | 12 | 13 | 14 | 18 | 19 | 20 | . |
Apparently, the first two pictures have only 4 signs each, and the other two 6, but this is equalized by the fact, that hieroglyphs 1, 3, 5, and 7 are clearly each composed of two signs. The comprehensive sign appearing in 2, 6, 9 and 16, is, properly speaking, the sign t, which may denote coition, and, not unsuitably, contains in its centre two black figures side by side.
Passing now to the separate four groups, I think the male figure is always on the right and the female on the left. In the first and second groups the two face each other, and in the other two groups the male is behind the female.
1. The female figure is an animal, perhaps a deer, the male is a black and white spotted deity having a human form and his head appropriately embellished with horns. The hieroglyphs belonging to these are:—1, a combination of Manik and Chuen with a prefixed 4, just as on page 21b; 3, likewise a compound sign, with a prefixed 7, which occurs also on page 46c on the left, and which I do not venture to explain, but which seems to denote horns, and lastly the hieroglyph c.
2. The female figure is an animal (on page 19a the female is represented more in resemblance to the human form) with a bird-head, to which belongs the compound sign s, still unexplained; the male figure is a barking (or howling?) dog, as on page 21b. Hieroglyph 7 is composite and contains first the sign generally belonging to the dog and suggesting a skeleton, which also represents the 14th month, and secondly, a Cimi closely related to it, precisely the same as in the parallel passage 21b. The well-known q follows in the 8th place.
3. The god D holds in front of himself an animal, which may be a rabbit. His signs are hieroglyphs 11 and 12, while 13, the principal part of which is a grasping hand, clutching a Moan sign, seems to refer to the animal in the picture. 10 is b and 14 is a.
4. Lastly, two beings in human guise, showing thus a closer connection with what follows. They are the black god L with his hieroglyph in 18 enlarged by an Imix, and a woman holding a Kan sign in her hand, hieroglyph 20 likewise showing the ordinary combination of Imix-Kan. Sign 15, however, refers to the woman, and lastly 17 and 19 are the signs m and r; I note that r ends a period of 13 days.
The contents of the following seem to suggest that we should first read page 15 (including the middle section of 16) from top to bottom, then pages 16-23, partly from left to right and partly from top to bottom, according to the subject.