Signs 3, 7, 11, 14, 19 and 23 (14 and 15 have changed places) denote women. Of the six women only the first three are here portrayed.

The first carries the Moan with which signs 1, 2 and 4 agree perfectly. The second and third carry two birds, which may be parrots of a different species. They are very seldom represented elsewhere and hence their hieroglyphs, 5 and 9, with the added determinative 10 are unfamiliar. In 8 and 12 the well-known determinatives a and c are added.

Judging by sign 13 the fourth woman would have carried the same vulture, which we see in the middle section of this page; 15 and 16 are again signs c and q.

The fifth woman would have carried an unknown bird of prey, the signs of which are 17 and 18, and 18=10; 20 is again q, but with a superfix different from that in 16.

Finally the sixth woman, like the third in 17b, seems to have carried the dog, as is proved by sign 21, but in 22 the symbol of a bird is again added. This passage ends in 24 with the well-known Imix-Kan.

Pages 17c—18c.

IV 15 VI 33 XIII 4 IV
Ahau
Eb
Kan
Cib
Lamat.

Here we again find the regular red numerals (Roman in my transcription of the text), which were wanting in the last three Tonalamatls. That they were not added until after the black script and drawings were completed, is evident in several passages of our Manuscript and also in this one, where they have been faintly indicated in black by the scribe (or corrector). The absence of red numbers in the passages 17b-18b and 16c-17c is an evidence that I was right in proceeding directly from the former to the latter.

Of the 12 hieroglyphs, 2, 6 and 10 have again the form which we found on pages 16b-17b, and which seems to refer to a carrying-frame; compare, however, the explanation of pages 25-28 below. The women themselves are designated by hieroglyphs 3, 8 and 12. The first woman carries the god A and hieroglyphs 1 and 4 are his regular signs. The second woman has on her back a Kin sign, above that a Yax, and this combination overtopped by a cross between two dots also forms hieroglyph 5; compare the upper section of the same page. That this hieroglyph is nothing else than a designation of god D follows from hieroglyph 7. Finally the fourth woman carries a figure, which has a Moan sign for a head and to which hieroglyphs 9 and 11 certainly refer.