On the other hand the third picture contains, unquestionably, the figure of N. I look for his sign in the 11th hieroglyph, which is the head of an old man with a prefixed 4, referring to the four different forms of N in the Kan, Muluc, Ix and Cauac years. The Ahau in 12, however, does not fit N, but D.
This confusion can only be adjusted by transferring D from the first group to the third and also, perhaps, the sign of the woman in 3, which applies to all the three groups, and by transferring to the first group N and the 11th sign of the third group.
The fourth group has no picture. It should have, as hieroglyph 14 shows, the god F, who represents death by violence in human sacrifice and the chase. The hieroglyph Cimi in the 16th place is a suitable sign for this deity.
Pages 22c—23c.
| II | 10 | XII | 12 | XI | 9 | VII | 6 | XIII | 7 | VII | 8 | II |
| Oc | ||||||||||||
| Ik | ||||||||||||
| Ix | ||||||||||||
| Cimi | ||||||||||||
| Ezanab. | ||||||||||||
The hieroglyphs are arranged in the following order:—
| 1 | 2 | 5 | 6 | 9 | 13 | 14 | 17 | 18 | 21 | 22 | |
| 3 | 4 | 7 | 8 | 10 | 15 | 16 | 19 | 20 | 23 | 24 | . |
| 11 | |||||||||||
| 12 | |||||||||||
This Tonalamatl, the fifth and last of this section, presents much that is irregular and puzzling.
It can hardly be said that there are comprehensive hieroglyphs here, forming the heading of the six groups. The sign for woman occurs only in 2, 8 and 24, and the cross b only in 14 and 18, but it is sufficient to make it clear that here, too, connection with a woman is the principal theme. Let us pass, therefore, directly to the single groups.