The hieroglyphs are in the following order:—
| 1 | 2 | 5 | 6 | 9 | 10 | 13 | |
| 3 | 4 | 7 | 8 | 11 | 12 | 14 | |
| 15 | |||||||
| 16 | . | ||||||
An Ahau is added here as the 17th sign, which is very unusual.
We find elements here forming the hieroglyphs into groups in three different ways.
1. The signs 1, 5, 9 and 13 designate the four cardinal points as they so often stand together in this Manuscript in the order of East, North, West and South, i.e., in the sequence of the annual and not of the diurnal course of the sun.
2. The hieroglyphs 2, 6, 10 and 14 are all alike and are the head with the Akbal eye, which in 6 is closed.
3. The three persons pictured here all carry a Kan sign in their hands, probably as the offering they have received. Similarly we found the Kan sign held in the hand twice on page 16b.
The first picture is B; his sign is the third with the q in 4 as a determinative, which has above it a Ben-Ik sign.
The second figure is a goddess with a serpent as head-ornament, though we find in the 7th sign, not her hieroglyph, but merely the one generally used to denote a woman. 8 is the usual a, which in my opinion is the sign for the good days, to which also the Kan sign refers in the hands of the three personages.